“Weird” Al Yankovic is turning into a fantastic insult comic.
He has released two videos so far from his latest album, “Mandatory Fun,” and aside from being spot-on parodies of two of the most popular songs of the year, they are beautifully dickish in an inarguable way.
“Tacky,” a riff on Pharrell’s “Happy,” highlights the terrible fashion trends of Crocs, stripes and plaid, and the idea of taking selfies with the deceased at a funeral. The video features several comedians, mostly notably Jack Black, who is tacky defined with his high-waisted pants, rhinestoned fanny pack and obsessive twerking. It does such a good job of pointing out the stupidity of all these actions and looks, that anyone finding themselves associated with anything mentioned in the song should feel immediate and extreme shame. Then never do that thing again.
“Word Crimes,” a take on Robin Thicke’s “Blurred Lines,” is basically Yankovic being a grammar Nazi. Dangling participles and contractions aside, he belittles those who use numbers for letters and single letters for full words (unless you’re Prince). It’s sweet release for that inner word cop that wants to spring out and beat the mob of uneducated slobs senseless with their own words. Yankovic has saved us much embarrassment and heartache.
The videos are part of his 8 videos in 8 days project, which in itself is a riff on Beyoncé’s latest release. Bey put out an album of 15 songs and 17 music videos available only on iTunes in December, with complete secrecy before its release. It sold a million copies in less than a week. Yankovic will release a full album in physical form, but has hinted that this album, the last under his current record contract, might signal a change. He says on his blog that he’s “weighing his options.”
Here’s hoping those options include a deeper delve into insult comedy.we
Have you ever seen Weird Al? No? Well, let me try to explain. He plays for two hours. He plays about 65 songs. He has about 20 costume changes. He assumes two dozen personas, and shows just as many funny fake interview clips between songs. He’s nonstop, and it’s nuts, and his crowd is nuts, and then he plays some songs about Yoda and it’s all over, and like any good fast-paced comedy show, it’s hard to remember what just happened.
Here’s what I can reconstruct.
When I walk in to the show, there’s a guy who’s 6’5″ in sweatpants, a headband and a red “Jews 4 Bacon” T-shirt. This is a good representative example of the typical Weird Al fan who has arrived here tonight to pay their respects to the master. I follow the Jews 4 Bacon guy to my seat, the lights go out, and Weird Al starts a polka medley of the following songs:
You Spin Me Round (Like a Record)
Day ‘n’ Nite
Need You Now
I Kissed a Girl
Blame It (on the Alcohol)
Break Your Heart
The medley comes back around to “Poker Face,” the song ends, the lights go out, people go nuts. The lights blink back on just in time to see Weird Al bonk his face on the microphone with a huge “WhhHHHAhaOoompPP!,” and then recovering by shouting “HELLO SANTA ROSA!!”
There’s a joke about a drum solo, and then the video screen shows a interview with Eminem where Eminem keeps saying “You know what I’m sayin’?” and Weird Al keeps losing his patience in increasingly aggravated fashion, and this goes on and on, and the crowd loves it, and then some cheerleaders come out on stage to the opening strains of “Smells Like Nirvana.” I’m impressed that Weird Al plays the whole song on guitar left-handed, but then attention to detail is his specialty—surely he knows that Kurt Cobain played left-handed. He also gargles the guitar solo into the microphone with some mystery liquid and throws the red keg cup and its contents out on the crowd, and they go wild.
“TMZ” is a Taylor Swift parody, “Party in the C.I.A.” is Miley Cyrus, Jesus, what else? It all goes by so fast, and honestly, some of the best songs are his own, like “Skipper Dan,” the sad tale of a failed actor who was once “the next Olivier” but is now working the Jungle Cruise ride at Disneyland, reciting the same crappy schtick about the wiggling hippo ears 34 times a day. (“I research everything that I do as much as I possibly can before I even start writing,” he says in this interview about the song. See, attention to detail!)
Somewhere in there is perhaps the show’s highlight: “Wanna B Ur Lovr,” with Weird Al in a red-and-black leopard print suit hopping off the stage and grinding up on audience members, like, legs up on the seat, while singing lines like “My love for you’s like diarrhea, I just can’t hold it in” and something about chewing on your butt, maybe? It’s insane. He launches into a food medley, with “Whatever You Like” and “Nothin’ on You” and “Eye of the Tiger” and “La Bamba” and “Stand” and I forget what else, and then they all come out dressed like the Doors.
Doing Jim Morrison is hard, but Weird Al nails it, and their bassist is sitting back at the keyboards because the Doors had no bassist (ATTENTION TO DETAIL!) and the song is about Craigslist and the personal ads and annoying complaints people lodge on Craigslist. Weird Al wins a place in the heart of Santa Rosa by addressing a diatribe during the bridge: “An open letter to the snotty barista at Bad Ass Coffee on Mark West Springs Road,” and again, attention to detail, place goes nuts, it’s totally cool and uncool at the same time, which I guess sums up the whole show, actually.
The hits roll out: “Perform This Way,” “eBay,” “Canadian Idiot,” “White and Nerdy,” “Money for Nothing / Beverly Hillbillies,” and “Fat,” with the famous fat costume, and it’s hard to figure out if he’s making the fat people in the audience feel better or worse about themselves, but I’m guessing better, because Weird Al is all about making everyone feel better about themselves no matter how weird or quirky or idiosyncratic or different they may be. Even if they’re 6’5″ and wearing sweatpants and a headband and a shirt that says “Jews 4 Bacon.” Weird Al is there for that man, and that man is not giving up on Weird Al, because like Homer Simpson says: “He who is tired of Weird Al is tired of life.”
There’s an encore, with songs about Star Wars, a.k.a. the Spiritual Advisory Board of the disenfranchised. There’s an amazing acapella thing that I can’t begin to describe (thank you YouTube, start at 3:40), and the whole thing comes roaring back in with “Yoda,” and the accordion is king, and people are swaying in their own ridiculous joy, and UHF is a great movie, and Jessica Simpson is dumb, and no one thought about the state of the world for two hours, and Weird Al yells “Thank you Santa Rosa!” and I believe that he actually cares. And that’s what a Weird Al show is like.