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Gabe’s Top 25 Jazz Discoveries of 2012

Gabe’s Top 25 Jazz Discoveries of 2012

Posted by: Gabe Meline on Dec 31, 2012 | Comments (4)

I’m always digging for old jazz albums at record stores and thrift shops, and for all the love I have for contemporary popular music, I’m usually listening to jazz while at home. I rarely have any reason to write about these records, though, which is why I round up the best of what came across my turntable at the end of every year. (Should you be so inclined, here are my lists from 2009, 2010 and 2011.) These are not new jazz records—just old stuff that I never discovered before.

Linked throughout these descriptions are links to YouTube clips; I hope you’ll click around and find some new music to enjoy. Or, hit up your local record store! We’re also lucky to be in the midst of the great Healdsburg Jazz Festival, and, down in the city, SFJAZZ and Yoshi’s, all presenting jazz how it’s best experienced—live.

Enjoy!

Charles Earland – Leaving This Planet

I thought I knew Charles Earland. (Side Two of Black Talk, featuring the schmaltz-reclamation of “The Age of Aquarius” and “I Love You More Today Than Yesterday”? Flawless!) But nothing could have prepared me for Leaving This Planet, which leads off with the title track, a dancefloor killer: “I’m gonna lee-ee-eave this planet, with all the trouble that’s in it,” sings Rudy Copeland. The outer-space theme continues with titles like “Warp Factor 8” and “Mason’s Galaxy,” and Joe Henderson and Freddie Hubbard do their thing over a lot of ARPs, Moogs, Harvey Mason killing it on drums and other wild sounds engineered by Eddie Harris in the Berkeley, CA of 1973. Highly recommended.

Rusty Bryant – Fire Eater

Behold, I give unto you, the “Fire Eater” drum break. Idris Muhammad, ladies and gentlemen. You can let your imagination run wild on how many times I picked the needle up on this and replayed it the day I found it. The bass drum and the toms have the world’s most violent arm wrestling match with the cymbals cheering them on, and then the beat drops back down and the snare’s like, “It’s cool, I’m just rolllllllling through.” You better believe it’s been sampled like crazy. I have a friend who was bugging out even harder over it, and he’s an actual DJ, so I traded it to him for…

Steve Grossman – Some Shapes To Come

…which has some fine drum breaks on it, too. But I was into the Steve Grossman LP for the nutzoid remainer, which erects much through destruction. The tones on this album are distorted, the piano is electric, the rhythms sound like a herd of antelope running across hard pavement. Adventurous, strange, and on some unknown label from New Jersey. I don’t know much else about Steve Grossman, other than he played on A Tribute to Jack Johnson and some other Miles Davis albums you probably don’t listen to very often. But this one’s killer, through and through.

Duke Edwards & The Young Ones – Is It Too Late?

When you’re playing the “Name A Jazz Album That Needs To Be Reissued” game, you can’t do much better than this. Duke Edwards and his band lived in Montreal, and had the weight of the world on their shoulders when they recorded this freeform, socio-political masterpiece. Edwards delivers sermons, entreaties and tortured personal manifestos over loosely-structured but not too-out music. Filled with soul and tears, “Is It Too Late?” evokes all the anguish for the human race and tumult of 1968 in one perfect 14-minute track. It’s not on YouTube anywhere, but this, from the same album, gives you an idea.

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