The photo says it all. 2016’s BottleRock Napa Valley now has a lineup set for individual days throughout the three-day weekend, taking place May 27-29. Stevie Wonder headlines on Friday night, while Florence + the Machine and Red Hot Chili Peppers round out the headlining spots on Saturday and Sunday, respectively. Single day tickets go on sale tomorrow, Feb 2, at 10am. For more info, visit BottleRockNapaValley.com.
For a full slideshow of bands at Outside Lands, click here.
For a full slideshow of people and fashions at Outside Lands, click here.
Outside Lands is too crowded, Outside Lands is too expensive, Outside Lands shot their wad on big-name headliners—I’ve heard these complaints and more about the festival from fans, and yet it still completely sold out this year, all three days. The neighbors? Their complaint is that it’s too loud, and yet Metallica played.
At this years’ Outside Lands more than ever, it was evident that San Francisco has a banner festival not unlike Bumbershoot or Bonnaroo. It was in the air Friday, Saturday and Sunday in Golden Gate Park, this shift in emphasis. The first few years of Outside Lands were all about the music, but Outside Lands is an experience now, a thing you and all your friends go to, a water-cooler discussion, an Instagram feeding frenzy. Someday, Another Planet Entertainment may be able to sell it out without even announcing the lineup, and when that day comes, I will be baffled, but not surprised.
Out of the 65 acts, including a lot of worthy feel-good nostalgia (Metallica, replete with 30-ft.-high pyrotechnics, played almost all songs from 1991 and earlier), here are five in particular that had an impact.
I just got off the phone with Adam Theis, who’s still flying high. Christ, he’s got every right to be. On Saturday night, in the middle of his set with Supertaster at a very tiny and very new club called Coda in the Mission District, someone whispered into his ear that Stevie Wonder had just walked into the room. “The rest of the band soon found out,” he recounted, “and we were all looking at each other like, what the fuck?!”
It’s no small thing, Stevie Wonder walking into the room, especially when you’re a band who’s made a habit out of playing dozens of Stevie Wonder songs. It’s no small thing, either, when at the end of your set, Stevie Wonder starts making his way up to the stage with his bodyguard.
You know the rest: Stevie Wonder got up and sang two songs with the Jazz Mafia at a tiny little club in the Mission District. I mean, after Stevie Wonder sits in with your band, what else is there? Does Theis ever need to play another show in his life? “It kinda feels like that, actually,” he jokes.
Here’s an excerpt of Theis’ written recollection of events:
We chatted with him for 5 seconds and decided on the tune “All Day Sucker” which is a tune we used to play a lot in Supertaster and also with Realistic Orchestra for the annual Stevie Wonder Birthday Tribute that we put on. I have to say that when he started singing the song it was beyond goosebumps…the crowd was going completely insane yet being very respectful, the band was playing better than ever and we honestly had no idea that Stevie would even want to sing with us. He did what I felt like was my favorite version of that song ever. As the tune was nearing a stopping point, I leaned over to Bagale and suggested testing the water by playing the riff from “Can’t Help It,” the hit song he wrote for Michael Jackson. Joe gave me a huge smile and head nod.
It was a little weird when I merged into the bass line from “Can’t Help It,” Stevie was still singing “All Day,” and he kinda froze for a second to get his bearings – I was kinda freaked out because I felt like, “I just cut off Stevie Wonder!!” Crap!!” But it took him literally 2 seconds and BAM! one of my favorite songs EVER came to life on stage live.
After it was all over, Stevie hung around the club, taking pictures and chatting with the band, which was both exciting and nerve-wracking. “You’ve got five minutes to hang out with your idol,” Theis explains. “What do you talk about?” By all accounts, though, Stevie seemed genuinely interested in the band, in the San Francisco scene, and in Theis’ recent masterwork Brass, Bows and Beats. And right before he left, he called the whole group together.
“We got in this kind of a huddle, just the musicians, and is voice lowered a little bit,” Theis says. “It was really cool and intimate. He said he liked what we were doing, playing a lot of different styles and taking a lot of chances. He said keep doing it. Do not give up. He said this thing that we did tonight—we did, he said—is really, really important. That it’s what culture is all about.”
Here’s to the Jazz Mafia, to Supertaster and to Coda. And for Theis, a former Santa Rosan who’s done nothing but make a name for himself since he left town, I know he’s on Cloud Nine and probably will be for the next year. “Someone would have to come back from the dead, actually,” he says, “for it to be better than Stevie Wonder.”
Here’s the video: