Also next month, the group takes their crunchy riffs and exuberant energy on the road for a massive tour that brings them to Santa Rosa on April 24 in the first show put on by new Sonoma County concert booking venture Shock City, USA. Sounds like a perfect pairing. For more details on the upcoming show, click here.
Brooklyn punk rockers The Nuclears are a power pack of long hair, leather jackets, cool shades and good times. Their blistering throwback punk riffs and blazing guitar solos make them an instant hit at clubs around their native New York City, and tonight the the Nuclears are cranking up the amps at the Forestville Club as part of a national tour.
The group’s last album, 2014 album, This is How We Party, gives Andrew WK a run for his money, with a blend of positive vibes and great songs that flash back to the Ramones and Stooges while keeping things fresh and fun in the here and now.
Hopefully, the Forestville Club has plenty of Rolling Rock beer stocked for the show tonight, when the five party animals that make up the Nuclears get loud and rowdy, 6250 Front St, Forestville. 8pm. $5.
It’s been years since we’ve heard from Charley Peach, the high energy and melodic rock band fronted by vocalist Kaylene Harry and guitarist Justyn Delbridge, and maybe the name doesn’t ring any bells for newcomers to the music scene. But, that’s all about to change.
From their Facebook page, the newly resurrected and reinvigorated Charley Peach last month announced a new show and new songs coming our way.
It’s been a looong time since you’ve heard anything Charley Peach related, but we’re back from the dead! We’re doing our first show in years and we would love to see you! Also, this is NOT a one off kind of thing. We’ve been jamming for the last few months, and already have a handful of new songs to add to the old ones.
Charley Peach make their return to the stage this Friday, Nov 6, at Whiskey Tip in Santa Rosa. They split a bill with Santa Rosa’s Become the Villain, a solo indie rock project from songwriter Neem Wood that’s recently seen new life as a full band. Santa Rosa alt-rockers the Tioxxaa open the show.
Before hearing Charley Peach’s new batch of songs, go on a trip down memory lane with some of their excellent older material here.
I’m a big fan of the podcast “Onstage with Jim & Tom,” hosted by Phoenix Theater music promoter Jim Agius and founder Tom Gaffey. Each week, the two sit down with a North Bay band or musician of note and chat about everything from tours and relationships to record collections and scary movies. It’s always a great conversation, especially when music veteran and wordsmith Gaffey heaps praise upon the guests in lovingly extended passages.
This time around, Jim and Tom welcome to the show Santa Rosa shoegaze outfit the Down House. The band talks about what it’s like having two couples in a band and the state of the North Bay hardcore scene before plugging in and performing a couple of tunes.
The Down House is made up of Casey Colby (Spirits of Leo), Cody Sullivan (Sabertooth Zombie), Sarah Sullivan, Sarah Davis and Chloe Connaughton. Gaffey calls them evocative right off the bat and the band proves why by the end, playing their dark and stylish Joy Division-inspired post-punk.
Listen to the episode below, and catch the Down House when they play the Phoenix Theater on Sunday, Sept 27, alongside State Faults, Lil Dowager and SPELLS.
Scottish-born and London-based, KT Tunstall has achieved a swell of success across the pond with emotional folk rock songwriting and a strong, sonorous delivery that rocketed her to the top of the charts. While this may the point where a lesser talent hits cruise control, Tunstall two years ago did the opposite, putting her musical pedal to the metal and roaring headlong out of the dreary, cloudy skies of England straight for the hot, dry deserts of Arizona.
The result of her sojourn was the critically-lauded album Invisible Empire//Crescent Moon. Tunstall is a gem of a songwriter, lyrically raw while poetically sublime. Her deft guitar melodies and her ethereal voice, with just a slight Scottish brogue popping up every so often, is one of the sweetest in this or any hemisphere.
Tonight and tomorrow, Tuntall brings her globe-trotting style to Napa for two nights of dusty, shimmering indie folk rock before she joins pianist and bandleader Jools Holland back in the United Kingdom. Check out the music video for her single “Feel It All” below and pop on over to City Winery to catch Tunstall before she skips town.
I just couldn’t get going this morning. Between the cloudy skies and my comfy bed it took all my might to move. So, before I even ground up the coffee, I put on Bucc Nyfe.
The Santa Rosa punk rock trio gets my blood pumping and head rocking with their high energy rock and roll. Tight beats and heavy distortion shake the sleep from my eyes, while the emotionally-driven lyrics and nostalgic themes take me back to the days before I needed coffee to get going in the morning.
If you’re still sleepy, hit the track below and thank me later.
Tonight, Bucc Nyfe headlines an electrified show at 775 After Dark in Sebastopol with the help of rockers Bang! Bang! and Bumblin’ Bones. 7pm. $4.
Slide guitarist and songwriter Roy Rogers has played with some of the biggest names in country and rock and roll in a career that spans forty years, from John Lee Hooker to Bonnie Raitt. Still, the accomplished musician has largely eschewed the big label approach to making his own music by self-releasing his albums on his independent label, Chops Not Chaps Records. With his long-time trio the Delta Rhythm Kings, Rogers again offers up a foot-stompin’ assortment of blues-tinged jams with his latest album, Into the Wild Blue.
Made up of eleven tracks, the album kicks off with the dance hall rocker “Last Go-Round,” showing off a sizzling electric riff over a two-step beat. Rogers follows that up with the upbeat jam session of “Don’t You Let Them Win.” Rogers’ effortless slide guitar is in full effect on the record, and the Delta Rhythm kings keep a steady southern influence over the beat, like a hoedown happening in the bayou heat.
Recorded with long time bassist Steve Ehrmann, drummer Kevin Hayes, keyboardist Jim Pugh, and violinist Carlos Reyes; Rogers feels right at home throughout the record, laid back and carefree in his songwriting. Into the Wild Blue is available now, Roy Rogers and the Delta Rhythm Kings will be in the North Bay on Wednesday, August 5, performing at the Sonoma County Fair in Santa Rosa.
Check out the funky track “She’s a Real Jaguar” below:
Could there be a better act to play the uniquely Northern California festival BottleRock than Santa Cruz’s own Camper Van Beethoven, with their conjoined twin band Cracker in tow?
After all, Camper is the group that on their 2013 album La Costa Perdida delivered “Northern California Girls,” perhaps the ultimate NorCal anthem—meaning an anthem that’s way too laid back to actually be an anthem.
“Right, it takes seven minutes to get where it’s going,” admits David Lowery, the frontman for both Camper and Cracker. “The drums come in a little bit like three times before they finally kick in about three-and-a-half minutes into the song.”
Lowery had already written his share of great California songs for both Camper and Cracker over the years—most recently, “Where Have Those Days Gone”—in which he mistakes Good Times’ astrologer Rob Brezsny for Thomas Pynchon in a bar in Mendocino County—but also “Big Dipper,” “Miss Santa Cruz County,” “Come On Darkness” and more.
But with his latest cycle, he’s outdone himself. While La Costa Perdida was a NorCal-influenced album, the songs on Camper’s latest, El Camino Real (which comes out June 3), are all set in, or otherwise related to, SoCal.
“We wrote these songs at the same time, then thematically we broke off most of the Northern California ones for the last album, and then kind of took these songs that were Southern California, and built another album around them, by adding another five songs or something like that,” says Lowery. “There’s kind of this opus going now, this theme going. There’s also a Cracker album, which comes out next year. It’s a double disc—one is Berkeley, one is Bakersfield. One is the punk side of the band, one is the country side.”
So, basically, four albums worth of California songs. And it all started because of…Joan Didion?
“I think it started with me and Victor [Krummenacher] and Jonathan [Segel] reading a bunch of Joan Didion,” confirms Lowery. He can’t remember which collection of essays specifically sparked it, but it would almost have to be the first section of Slouching Toward Bethlehem, in which Didion rips to shreds the “golden dream” of the Inland Empire—where Lowery, his Camper bandmates Krummenacher and Segel, and Cracker co-founder Johnny Hickman all grew up.
“Those essays really captured the feel of it. It’s not really that flattering about the area, but that’s sort of what people from the Inland Empire are proud of,” says Lowery. “There was actually some sort of referendum on a theme for the Inland Empire, like ‘Virginia is for Lovers’ or how California is the Golden State. And we all wrote in: ‘We will kick your ass.’”
The most noticeable difference between the two Camper albums is the overall feel—La Costa Perdida is more easygoing and gentle, while El Camino Real is darker and more intense, with a deep streak of paranoia that runs through songs like “The Ultimate Solution,” “It Was Like That When We Got Here” and “I Live In L.A.” Clearly, Lowery has very different views on the two halves of the state.
“Yeah, but I like ’em both,” says Lowey.
At the BottleRock festival in Napa May 30-June 1, Lowery’s bands will join an eclectic mix of five dozen other acts across four stages, including the Cure, OutKast, Weezer, LL Cool J, Robert Earl Keen, TV on the Radio and Smash Mouth. Some of those musicians have been around longer than Camper, while others benefited from the college-radio-to-gold-records trail that CVB and Cracker blazed in the ’80s and ’90s. It’s very likely, however, that Camper is the only band on the schedule that has been reunited longer than they were originally together. After recording their first album in Santa Cruz in 1985, the band imploded on a European tour in 1990. But after reforming in the early 2000s, they’ve been back together now for over a decade. Part of the reason, Lowery says, is that they all agreed to do the band on a more part-time basis, or at least do fewer tours, which puts less pressure on them as a group. But maybe it’s even simpler than that.
“Jonathan says it’s just because we’re not in our twenties,” says Lowery. “And it’s kind of true.”
Camper Van Beethoven and Cracker play BottleRock Napa, which runs May 30-June 1 at the Napa Calley Expo, 575 Third St., Napa. Tickets are $149 for single-day passes, $279 for a three-day pass, at bottlerocknapavalley.com. 877-435-9849.
We’re pretty stoked that after 3 years away, Jello Biafra and the Guantanamo School of Medicine are coming back to Santa Rosa’s Arlene Francis Center, appearing April 4. In the last year, the punk icon/outspoken artist and his band released their second LP, White People and the Damage Done, and the former Dead Kennedys front man has been getting punks into mosh pits around the world, from Coachella Festival appearances to tours in Australia and Europe. Now, Biafra returns with the help of Pins of Light, We Are the Men, and local favorite Jack Attack in reportedly his final performance ever. Absolutely not to be missed, tickets for the April 4 all ages show go on sale March 1. $15.
My favorite music genre changes on a daily basis. When someone asks the seemingly simple question, “What kind of music do you like?” I find myself befuddled, and often reply with whatever I was last listening to, whether that was Wu-Tang, Stevie Nicks, Beethoven, Johnny Cash, Miles Davis, John Cage or Orbital. I actually feel flustered trying to answer the question.
But Rock may have solidified its status as my fave with this video:
To be able to play all those riffs in one take it amazing, but what truly impresses me is the fact that I know every single one of those songs by hearing a couple seconds of one instrument playing them. Not every genre can claim that—try playing “name that tune” with dubstep. Rock is a truly unique modern style with its combination of catchiness and badassery.