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Daredevils & Queens Gets the Axe

Posted by: on Apr 22, 2009 | Comments (7)

First the Boogie Room gets evicted. Then the Orchard Spotlight goes dim. And now, Daredevils & Queens gets the axe. What the hell’s going on here?

At around noon yesterday, Travis Kennedy, owner of Daredevils & Queens, was paid a visit by the Santa Rosa Fire Department and given a stern verbal warning to not host any more gatherings there. No written notice was issued, nor any specific citations made pertaining to emergency exits or capacity—just a heads up that one of their marshals had walked by the other night and noticed a group of people inside. Kennedy had hosted a private birthday party for a friend, with about 50 guests, the week before. Any such afterhours assemblies at Daredevils & Queens, Kennedy was firmly instructed, are against city zoning code.

This, of course, is terrible, terrible news. The successful hair salon that’s also hosted numerous art shows, reunion events and musical performances has grown into an increasingly vibrant and important center on Railroad Square’s cultural map. Every single event I’ve attended there has been well-mannered and safely monitored. Especially because the city has placed such an emphasis on supporting the arts, Kennedy is understandably dismayed that he’s in a position to cancel all his upcoming events—including a May 2 show with Polar Bears, Shuteye Unison and Prizehog.

“The more I thought about it,” he told me today, “the more I can’t see how they could shut us down! I wasn’t charging any money, and it was a good thing all around.”

Kennedy has held events very sporadically—once every two months or so—and has never received any complaints from neighbors or police. He’s never taken a percentage of art sales, and in fact he always, always spends his own money to buy merchandise and support the artists and musicians he willfully opens his salon doors to. Is it really such a crime to broaden your place of business to support the local arts and music community?

Kennedy is looking into finding out how he can work with the city and continue to host events at Daredevils & Queens legitimately, but for now, all events are off.

Lila vs. Kells at the Roll Call

Posted by: on Jan 26, 2008 | Comments (1)

It was a hella enjoyable night last week at Kate & Coalmine’s Roll Call, thanks largely in part to the very funny and ultimately surreal set played by Lila Cugini (seen here getting clubbed by, uh… a sadomasochistic police officer?).

The Roll Call, a recurring feature on Wednesday nights at the Toad in the Hole Pub in Santa Rosa’s Railroad Square, operates like a well-organized (and, thanks to the beers on tap, well-oiled) open mic. Performers are booked in advance, but the carefree, anything-goes attitude is the same. Basically, you never know what you’re gonna get; a time-honored concept which can be excruciating when it fails but awesomely surprising when it succeeds.

It worked for Lila, who happened to be celebrating her birthday last Wednesday and had plenty of well-wishers in tow. Lila opened her set by showing off and reading from her latest present, just given to her by a friend outside on the sidewalk: an autographed script of the pilot episode from M*A*S*H.

Then, kicking things off with a tongue-in-cheek ditty called “I Want An Ugly Man,” Lila told a story about copying and pasting the song’s lyrics onto a personal ad on Craigslist, just as an experiment. “And here’s the really terrible thing about dating in Sonoma County,” she related: two hours later, she opened an inbox full of responses from 19 homely, disfigured, fat slobs, all professing their undying, requited love.

Lila plays simple chords and sings simple melodies, and even when she forgets her own lyrics, she’s got a charming, hey-I-could-do-that-too thing going on. Her voice reminds me of a younger Lucinda Williams circa Happy Woman Blues, and her songs—“My Lovin’ Days Are Over,” “She Wants Him Back”—reveal a similar plaintive heartbreak.

But it was the set’s closer that brought the house down.

Last time I saw Lila, oh, about five years ago, she dedicated a cover song—Green Day’s “She”—to her son, Adler. On Wednesday, her cover song of choice had changed considerably: R. Kelly’s “Real Talk.” Totally goddamned hilarious. You haven’t lived ‘til you’ve seen a birthday girl with a voice full of heartbreak, strumming slow chords on an acoustic guitar, singing lines like “I been with you five years and you listenin’ to your motherfuckin’ girlfriends / I don’t know why you fuck with them ol’ jealous, no-man-havin’-ass hoes anyway.”

(P.S.: Throughout the set, North Country bike enthusiast and all-around man-about-town Chris Wells projected weird-ass videos on a screen, and just when the night couldn’t get any stranger, he quickly followed “Real Talk” with a candid clip of Lila, Kate and Dani (all of whom were at the Toad, none of whom knew they had been filmed) sitting around a campfire at a dustbowl hoedown party, singing Neutral Milk Hotel’s “King of Carrot Flowers” at the top of their lungs. Awesome.)