Seattle punk band Violent Human System is ok with you just calling them VHS. It helps that the acronym harkens back to a vintage, primitive design, much like way the gritty four-piece makes their music. After a handful of self-released 7″ records and EPs, VHS signed to Seattle-indie label Suicide Squeeze last year and are releasing their debut full-length, Gift of Life, later this year.
This week, VHS is taking their dark, rowdy and infectious punk rock on the road for a West Coast tour that lands them in Santa Rosa this Saturday, Feb 20, for a show at Atlas Coffee Company. Joining them on the bill is excellent experimental Oakland post-rock band Teal and Santa Rosa’s own doom-synth scamps Service. This one’s going to be a blast, so get down to Atlas Coffee early, doors are at 6:30pm. $6. 300 South A St.
Below, listen to VHS’s new single, “Wheelchair,” off the upcoming Gift of Life. You can pre-order the album here.
Arizona psychedelic rockers Destruction Unit are a no-holds-barred head trip through post-rock walls of sound. After two years of relative quiet, the pummeling five-piece outfit is back with the their most experimental brain melter of a record yet, Negative Feedback Resistor, due out Sept 18 on Sacred Bones.
In anticipation of the new album, Destruction Unit has released a few tracks via the world wide web, including this absolute scorcher of a song, “The Upper Hand.” In fact, this thing sound more like a punk rock cherry bomb, set off in the midst of a tornado, eclipsed by a tsunami swell of noise that washes over the whole thing by the end. It’s a monster, and it’s one of the band’s best ever. Listen here, if you dare.
The group is slated to hit European shores the same day the new record drops for a month-long tour, but before they embark, Destruction Unit is playing three dates in California, including a show hosted by the Pizza Punx on Thursday, Sept 3, at the Arlene Francis Center.
Also on the bill are Gag and White Wards, both Olympia, WA, bands that know how to thrash. Southern California weirdo punks the Coltranes and Seattle noisemakers Health Problems open the show.
Destruction Unit headline on Sept 3 at the Arlene Francis Center, 99 Sixth St, Santa Rosa. 8pm. $10.
New Jersey punk rock band Titus Andronicus have always been as ambitious as they were aggressive in their fiery punk revelries. Fronted by songwriter Patrick Stickles, the band is no stranger to concept albums, producing a Civil War themed record in 2010. This month, though, the band is taking things to a whole new level with the forthcoming release of The Most Lamentable Tragedy.
Clocking in at over 90 minutes and packed with 29 sprawling tracks, the group’s latest self-described “rock opera” is poised to become one of the most challenging and talked-about records of the year. Thematically the band says the new record plays out like a piece of long-form fiction. From a press release they describe the plot:
TMLT concerns an unnamed protagonist whom we meet in deep despair. Following an encounter with his own doppelgänger (an enigmatic stranger, identical in appearance though opposite in disposition), long held secrets are revealed, sending our protagonist on a transformative odyssey, through past lives and new loves, to the shocking revelation that the very thing that sustains him may be the thing to destroy him.
That’s some heavy stuff right there. The Most Lamentable Tragedy comes out on July 28. Below you can stream the new album via NPR, and in September you can see the band when they perform at the Phoenix Theater in Petaluma.
Al Quint, publisher of Suburban Voice ‘zine and host of Sonic Overload Radio, posts this downloadable “Tribute” to Ronald Reagan. Originally aired in 2004 the week of Reagan’s death, the show undertakes the mammoth task of compiling definitive punk songs about how much Reagan sucks. There must have been two thousand. Quint picks 60 of them.
The show runs the gamut, from DRI’s hyperfast “Reaganomics” to the Violent Femmes’ “Old Mother Reagan,” and we even get Heaven 17’s “(We Don’t Need This) Fascist Groove Thang” near the end. It’s amazing to revisit all the methods used in the ’80s to talk shit about the president, like the sudden tacking on of the line “President Reagan can shove it” after a song about trying to get laid (“Superficial Love,” TSOL) or the ridiculous adding of the prefix “Mc-” to select words in the Dayglo Abortions’ “Ronald McRaygun.” Most bands, like NOFX (“Reagan Sucks”), go the simple route.
Sixty punk songs about how much Reagan sucks. Now please, help me out: Why weren’t punk bands this vociferous about W., who from the onset was far worse in the eyes of the punk community? Were they scared? Numb? Trying to sign to Victory? It’s always confused me. There was Fat Wreck Chords’ Rock Against Bush series, but the tracklisting—especially on Vol. 2—reveals bands repurposing older, non-Bush related songs. “Chesterfield King” never was political song, just like “Fucked Up Ronnie,” by D.O.A., isn’t much of a love song.