The full lineup for Bottle Rock Napa Valley has been announced. It includes The Black Keys, Alabama Shakes, Zac Brown Band, Furthur featuring Bob Weir and Phil Lesh, Kings of Leon, Macklemore & Ryan Lewis, Primus, The Flaming Lips, Jane’s Addiction, Ben Harper & Charlie Musselwhite, The Shins, Bad Religion, Iron and Wine, Dirty Projectors, Dwight Yoakam, Edward Sharpe, Mavis Staples, Best Coast, Sharon Van Etten, Rodrigo y Gabriela, Cake, Michael Franti & Spearhead, Carolina Chocolate Drops, The Wallflowers, Blues Traveler, Brandi Carlile, Donovan Frankenreiter, Grouplove and many, many more.
The festival runs May 9-12 at the Napa Expo, with Macklemore & Ryan Lewis kicking off the festivities on Wednesday, May 8. The Macklemore show is free to 3- and 4-day pass holders, and individual tickets for the show, at $29, will go on sale “at a later date.”
Confirmed acts for Thursday, May 9 include Furthur, the Black Crowes, Primus, ALO, Violent Femmes and Cafe Tacuba.
Confirmed acts for Friday, May 10 include the Black Keys, Alabama Shakes, Flaming Lips, Dirty Projectors, Andrew Bird, the Shins, Blues Traveler, Tristan Prettyman, Vintage Trouble, Flagship, Justin Townes Earle. and Allah-Las.
Confirmed acts for Saturday, May 11 include Kings of Leon, Jane’s Addiction, Bad Religion, Ben Harper, Edward Sharpe, Dwight Yoakam, Iron & Wine, Best Coast, Sharon Van Etten, Tift Merritt, Carolina Chocolate Drops, Allen Stone, Donovan Frankenreiter, and RNDM.
Confirmed acts for Sunday, May 12 include the Zac Brown Band, Train, Michael Franti, the Wallflowers, Rodrigo y Gabriela,Cake, Grouplove, Brandi Carlile, Rogue Wave, Mavis Staples, Charlie Musselwhite, and Erin O’Hara.
Ticket pre-sales start Sunday, Feb. 3, at 10am, on the festival’s own site. Prices are as follows:
Three-Day Pass (Fri.-Sun.): $299.
Four-Day Pass (Thurs.–Sun.): $399.
VIP Reserve Passes (includes VIP parking, viewing area, VIP afterparties): $599.
The first 700 Napa County locals to join the “Highway 29″ club will get $70 off, with
details to be announced Feb. 2 full details just announced: if you are a Napa County resident and pledge to walk, bike, skateboard, carpool or take public transportation to the festival, you will get a presale code for the $70 discount. The pledge also involves letting people from out of town crash at your house, and to “display kindness in the face of frustration and patience in dealing with the inevitable hiccups of a first-year festival.” (UPDATE: After just an hour of signups, all of those 700 locals-only presale codes are completely spoken for.)
In honor of the Superbowl, 49er fans can use the code “GOLDRUSH” to get $49 off.
As of yet,
no individual day tickets are announced, but based on what I know about festival ticket sales in general, I can predict that there will likely come a time when individual day tickets become available. UPDATE: Single-day tickets go on sale on Wednesday, Feb. 20. Individual day tickets are $129.
A full comedy lineup is expected to be announced in mid-February, and food, beer and wine will naturally be part of the festival as well.
The excellent lineup is a massive coup: Bottle Rock is being put on not by Live Nation, Another Planet or Goldenvoice but by two Napa locals, Gabe Meyers and Bob Vogt, who had a hand in the resurrection and reopening of the Uptown Theatre. Needless to say, it’s a huge deal for Napa.
More details here as they come in.
Bottle Rock Napa Lineup: Black Keys, Alabama Shakes, Macklemore, Flaming Lips, Ben Harper, Shins, Bad Religion, Jane’s Addiction, Furthur, Many More (UPDATED)
The lineup for the totally crazy Bottle Rock Napa Valley music festival running May 8-12 has been announced, and boy, is it nuts. Can we just say it right now: Best North Bay Festival Lineup Ever?
The Black Keys
The Flaming Lips
Ben Harper & Charlie Musselwhite
Iron and Wine
Rodrigo y Gabriela
Michael Franti & Spearhead
By my count, that’s about seven bands that are huge headliners in their own right, plus a lot of festival heavy-hitters. Not to mention: there are over 40 bands scheduled to descend on the Napa Valley for the festival, with a complete lineup and full info promised for this Friday.
The festival runs May 8-12 primarily at the Napa Valley Expo, which will have four stages. Other shows are at various venues around town, including the Uptown Theatre. Food, wine, craft beer, comedy, and afterparties throughout downtown are all part of the deal.
I’ll say it again: This is nuts.
VIP and group tickets go on sale here on Feb. 3; public tickets go on sale on Feb. 10. We’ll update here as more info. comes in.
UPDATE, Jan. 30: According to the festival’s Facebook page, three-day passes are $299, four-day passes are $399 and VIP Reserve passes for $599. Locals get a discounted rate with three-day passes at $229, four-day passes at $329, and VIP for $529.)
UPDATE II, Jan. 31: The Black Crowes have this festival listed on their official website tour dates. Also, little birdies are chirping that Macklemore is playing a kickoff show for the festival , and judging by the festival’s first-ever tweet, that’s probably very likely. There’s also a “leaked” lineup going around that is almost certifiably fake.
UPDATE III, Feb. 1: Lots of news this morning.
Added to the festival: Jane’s Addiction, Kings of Leon, Furthur featuring Bob Weir and Phil Lesh, Primus, Zac Brown Band, Dwight Yoakam, and Cafe Tacuba.
Ticket prices are as listed above. As of yet, there are no single-day tickets announced. Napa Valley locals, artist fan club members, community partners and “Friends of the 49ers” will be able to buy 3- and 4-day passes starting Feb. 3. Passes go on sale to the general public on Feb. 10.
The Macklemore show is Wednesday, May 8, and is free for all three- and four-day passholders. Individual tickets will be sold to this show as well at $29, available Feb. 10.
Headliners by Day:
Wednesday, May 8: Macklemore and Ryan Lewis
Thursday, May 9: Furthur, the Black Crowes, Primus
Friday, May 10: Black Keys, Alabama Shakes, the Shins
Saturday, May 11: Jane’s Addiction, Bad Religion, Ben Harper, Edward Sharpe
Sunday, May 12: Zac Brown Band, Rodrigo y Gabriela, Cake
The incredible thing is that this festival is not being put on by Live Nation, Goldenvoice, or even Another Planet. It’s being put on by two Napa locals, Gabe Meyers and Bob Vogt, who had a hand in the resurrection and reopening of the Uptown Theatre.
I’ll say it yet again: This is nuts.
Friday night at the Harmony Festival was headlined by perennial standby Michael Franti, who recently signed to Capitol Records after years on the independent-label grind. But Saturday and Sunday were topped by the Flaming Lips and Primus—two bands that got snatched up by Interscope and Warner Bros. in the great alternative rock signing frenzy of the early 1990s. While their back-to-back sets at the Harmony Festival were a nostalgia trip for many, and eye-opening for some, they also provided a case study in What Happens When the Weirdoes Get Industry Support.
In the Flaming Lips’ case, it’s resulted in some breathtaking albums—The Soft Bulletin and Yoshimi Battles the Pink Robots—and one of the world’s must-see theatrical live shows. Part of the joy in seeing the Flaming Lips live the second, third or fourth time is watching the reactions of first-timers, particularly the ones on mind-altering substances, which at the Harmony Festival means many. So if you’ve seen the confetti blasts, the giant laser hands, the space ball and the mothership descent before, turn to your right and watch the slack jaws.
This was the case with me, although I can still say the ‘Lips were better than ever. Opening with a blast of hits, including “Do You Realize?!,” “She Don’t Use Jelly,” “The Yeah Yeah Yeah Song” and “Yoshimi Battles the Pink Robots,” they powered into stranger material from Embryonic and a recent split with Neon Indian. A cover of Pink Floyd’s “Eclipse” followed, the space ball came out, they closed with “Race for the Prize” and everyone left satiated.
There’s a bit of ego tripping in Wayne Coyne’s banter, urging the crowd to get more into their set and be more excited (he must’ve said “c’mon, motherfuckers, c’mon” a dozen times) and it’s irritating that their volunteer dance brigade’s options have gone from full-body bunny suit to ogle-inducing “Sexy Dorothy Costume” in six short years, but they’ve got their shit down, for sure. A key stat: before their set, the lawn was sparse, and I wondered where all the people were. By the end, the crowd couldn’t've been denser, showing that the Harmony bookers took an interesting chance on the band, which worked.
Primus is less of a gamble, since they’ve got deep roots in Sonoma County—something Les Claypool alluded to onstage, citing old stomping grounds like the Cotati Cabaret, the Phoenix Theater and the River Theatre. “You all look like fine people,” said Les Claypool at one point, “I wish I lived around here somewhere.”
Of course, Claypool does live around here—a fact reflected in new song “Hennepin Crawler,” about a contraption made for the Handcar Regatta, and with references to the Russian River and Bodega Bay in another new song, “The Last Salmon Man,” about the population reduction of chinook salmon. (Their new album Green Naugahyde comes out in September, and the rumors are true: It really does evoke the early Frizzle Fry era of Primus.) “Groundhog’s Day” opened the show, and “Harold of the Rocks” and “Tommy the Cat” closed it, with an obligatory “Jerry Was a Race Car Driver” thrown in.
But the highlight, by far, was a version of “Those Damn Blue-Collar Tweekers” that epitomized Primus’ three-piece range, with Larry LaLonde and Jay Lane pounding and skronking around Claypool’s bass during an extended jam. I hadn’t seen Primus live in roughly 20 years since literally worshiping the band during those Phoenix Theater and River Theatre days Claypool had alluded to, but damn if they didn’t still have that same old magic.
And yes, it was the 1990s again, with crowd surfing and a real-live pit.
More Photos Below.
A major coup for the Phoenix Theater: Animal Collective, the experimental-indie Brooklyn ensemble whose crossover hit Merriweather Post Pavilion topped critics’ lists and was named Album of the Year by Spin, Pitchfork and Entertainment Weekly, will be headlining the Petaluma venue on Sunday, April 10. On a brief California jaunt before playing Coachella, the band is sure to sell out the venue immediately when tickets go on sale Thursday, March 10, at 4pm. Hit up the Phoenix Theater site for browser-refreshing action.
Say it together: Primus sucks! And yes, they’re playing at this year’s Harmony Festival. Having last played Sonoma County at the Phoenix in 2003, the band is sure to thrill patient fans as a just-announced headliner. Along with the previously announced Flaming Lips, Edward Sharpe and the Magnetic Zeroes, and Grace Potter and the Nocturnals, new additions to the lineup for the June fest include G. Love and Special Sauce, Natcha Atlas, Ghostland Observatory, Roots Underground, erstwhile festival staples Michael Franti and Spearhead and many more. Tickets and full details are at www.harmonyfestival.com.
The Healdsburg Jazz Festival, bouncing back from its near-death at the hands of a now-resigned-in-shame board, boasts a roaring lineup of jazz greats this June: Charles Lloyd with Zakir Hussain and Eric Harland, Charlie Haden, Bobby Hutcherson, Bennie Maupin, James Newton, Fred Hersch with Julian Lage, Arturo Sandoval, George Cables, Pete Escovedo, John Santos, Ray Drummond and many others. See www.healdsburgjazzfestival.org.
Other quick mentions of upcoming note: The Kate Wolf Festival brings back Taj Mahal, Los Lobos, Mavis Staples, Bruce Cockburn and the Nitty Gritty Dirt Band in June. The Uptown Theatre in Napa has Gretchen Wilson (March 20), the Psychedelic Furs (May 5) and a strong comedy lineup with Lisa Lampanelli (April 1), Bob Saget (May 6) and Joan Rivers (Aug. 26; tix on sale March 10).