Trebuchet, one of Sonoma County’s most wonderful bands, is recording a followup to their self-titled debut album. Hopefully, this one will be filled with just as much reflective storytelling and beautiful vocal harmonies as their first effort. The 10-song full-length record will hopefully be released in the fall, says drummer and recording engineer Paul Haile, who was recording drum tracks in Santa Rosa today with bassist and guitarist Navid Manoochehri. Judging by the drum tracks, it sounds like this album will feature a larger sound, maybe with more punch and, if possible, even more emotion than the previous one.
It’s also supposed to hit 97 degrees today, so maybe the tracks recorded later in the day will be more subdued.
Retro “pause tape” edit as intro—words from different sources spliced into a coherent sentence, like three kinds of adhesive tape used to wrap a Cartier bracelet. “Therrr es Love n Oooyou.” So far, much different than “A Joy,” the leadoff from Everything Ecstatic, and thus welcome. No one would file this in ‘Electronica.’
Rubbing it in: the sound of R2D2. Take that, Krohn. Processed hi-hats essential for that “chase scene” feel. Slow build with dope rubber-band bass, vocal loop fading, snares popping in to check on the bird just when you’d forgotten. Ways to get lost to the third power.
Would be hard to peg this as Four Tet until it starts harping on me, vintage Hebden. Taking the candy away as soon as it’s spiraled around the lips. How does one gate a synth? Suddenly I realize that the whole picture isn’t a picture. Match the edges first, then fill in the field. Coffee table’s out of commission for weeks.
If the pleasure of something is in its anticipation, and one is in control of crafting their desires, the world should theoretically be a wellspring of happiness instead of an assemblage of threshing machines ready to chew up the next mystery.
A slightly more pensive Four Tet, this one. I approve.