Huh. Today in totally unexpected news, aging alternative rock group Soul Asylum just switched up venues on their upcoming concert scheduled for Sunday, July 26, from the Uptown Theatre in Napa to the Mystic Theatre in Petaluma.
Last week, the Bohemian covered the band’s current tour and upcoming album, and front man Dave Pirner even volunteered to do an over-the-phone interview that was in every way positive. It seems odd that Soul Asylum and co-headliners the Meat Puppets both pulled out of Napa “for financial reasons,” according to an Uptown box office employee. Translation: not enough dough to play the show.
Theoretically, they believe they can make more money in Petaluma, but does that venue really offer a larger crowd? Seems Napa’s small population and relative isolation (due to really only being accessible by long and windy one-lane roads) has bit their live music scene in the butt once again. Weird.
Los Angeles singer/songwriter Jake Smith has spent the last decade roaming the wilds of America’s clubs and venues under the moniker the White Buffalo. Through his wanderings, Smith is more like a lone wolf, stalking up and down the highways of America and slinging his hearty acoustic roots rock. Tonight, he returns to City Winery in Napa for a solo performance that will feature a slew of new songs from his forthcoming album, Love and the Death of Damnation.
Recently, the White Buffalo announced that pre-orders of the new record are available with plenty of bonus goodies thrown in to sweeten the deal, like behind-the-scenes looks of Smith making the record, alternate versions of his songs and more. Smith’s new music has also been the subject of an ongoing online documentary series from Ernie Ball capturing his songwriting and recording in an intimate studio space. Check out one of webisodes below and head to Napa tonight to catch a glimpse of the White Buffalo for yourself.
City Winery Napa, 1030 Main St, Napa. 8pm. $18-$22. 707.260.1600.
This time last year, BottleRock producer Dave Graham and the partners of Latitude 38 Entertainment were in a very different place. Still negotiating the asset purchase of the popular yet financially strapped festival in Napa, Latitude 38 didn’t get a lineup in 2014 until almost April. This year, the producers of the third annual music, wine and food festival, which takes place May 29–31, are ahead of the curve, and they have already announced BottleRock 2015’s three-day lineup of big name bands and emerging artists.
Chart-topping indie rock band Imagine Dragons, alternative megastars No Doubt and rock legend Robert Plant will be headlining BottleRock Napa Valley 2015.
“We’re not trying to be like any other festival,” says Graham. “The notion of having something for everyone applies to BottleRock. You have bands that gear towards younger crowds as well as the older crowd.”
Imagine Dragons, which includes Forestville native Ben McKee on bass, emerged out of Las Vegas in 2012 with a succession of hits. No Doubt’s iconic front woman Gwen Stefani was recently well received on NBC’s karaoke competition show, The Voice. Stefani and the gang are reportedly only performing a handful of dates this year, as is Robert Plant.
“Nuff said,” comments Graham, when asked about Plant. “He’s one of the biggest names in rock and roll history.” (For you kids, Plant sang in some band called Led Zeppelin). “To have him in Napa Valley is going to be so cool,” says Graham.
Joining these diverse headliners are a slew of indie darlings; the Avett Brothers, Passion Pit, Foster the People, Cage the Elephant, Capital Cities and Portugal, the Man. Graham is also bringing in a slew of hip-hop acts like Snoop Dogg, Afrolicious and Public Enemy; jazz greats such as Preservation Hall Jazz Band and JJ Grey & Mofo; and international stars like Xavier Rudd & the United Nations and Courtney Barnett.
Graham is especially excited to welcome Michael Franti & Spearhead to BottleRock. “I love their music, but they’re just good people. They stepped it up for Napa after the earthquake and played a fundraising show for free. Napa loves them,” says Graham.
The rest of the lineup includes Gipsy Kings, Young the Giant, AWOLNATION, American Authors, Trampled By Turtles, Los Lobos, The Chris Robinson Brotherhood, ZZ Ward, Echosmith, Brett Dennen, Scott Weiland & the Wildabouts, Lettuce, Los Amigos Invisibles, Aer, The Mowglis, Kopecky, Big Talk, Tristan Prettyman, People Under the Stairs, Vacationer, The Brothers Comatose, Knox Hamilton, The Last Internationale, Zella Day, Finish Ticket, Sister Sparrow & The Dirty Birds, Ryan Sims Band, The London Souls, MoonAlice, Grizfolk, Black English, Wild Ones, The Record Company, Kawehi, Emily Wolfe, Afrolicious, Con Brio, Wildlife Control, Sneakout, Transfer, Battle Tapes, The Trims, Fritz Montana, The Frail, Eagle Wolf Snake, Matt Moon, Sielle, The Iron Heart, The Bad Jones, Silverado Pickups, The Deadlies, grass child, Pion 2 Zion, Walsh, Napa Crossroads Live featuring: David Pack of Ambrosia, John Elefante of Kansas, Bill Champlin formerly of Chicago, Jim Peterik founding member of Survivor.
Tickets go on sale Thursday, Jan. 8, at 10am.
The Napa music festival will return in 2015 again as a three-day festival, May 29–31. It will again take place at the Napa Valley Expo, according to an official statement made today by Latitude 38 Entertainment, the festival’s producers. Bands have not yet been announced.
“We’re thrilled to be back at the Napa Valley Expo with the support of our community of music, wine and food lovers for 2015,” says L38 CEO Dave Graham in a press release.
The festival mostly cleared its name this year after a fun-filled first year took a nasty turn after the founders failed to pay nearly $10 million in debts after the five-day event. They sold the brand to the new owners, who hosted the event with just three months of planning and addressed nearly every complaint of the previous festival. Many vendors returned after cajoling by the new owners, and the only major issues seemed to be the exit line on the festival’s second day, owing to about 35,000 fans trying to exit to shuttle buses at the same time.
It’s 2am and this is what I’m feeling after getting home from Bottlerock’s biggest and best day: tired, deaf, a little hungry, tired, thirsty as hell, musically fulfilled, nostalgic, sore, tired, and, most of all, happy.
The three-day extravaganza known as Bottlerock began today in Napa, the city known more for restaurants and winetasting than music. To wit, the festival, now in its second year and under new ownership, has focused more on music this year—in addition to bringing internationally famous acts like the Cure and Outkast to Napa, there will also be over two dozen local bands playing at the festival, meaning that over one-third of the bands playing will be from the Bay Area.
This isn’t a new idea—local acts were featured at last year’s festival—but there are more of them this year, and it’s more than just an afterthought. Latitude 38, the company behind this year’s Bottlerock festival, says including local bands was the plan from the start.
“A lot of people didn’t know there were a lot of bands in Napa,” says Latitude 38 CEO Dave Graham. He says they’ve made a new tradition of kicking off the festival with a local band on the main stage. This year, it’s the Napa–based group Grass Child.
On Saturday, the first band to strum a chord, pluck a note, or bang a drum will be local favorites Trebuchet, the indie-folk quartet known for its original songs with glorious harmonies and wide-ranging instrumentation. They’ll be playing on the City Winery Lounge stage at Noon, greeting attendees just inside the main entrance with their explosive tunes and catchy melodies.
The opening slot at a festival is a blessing and a curse. “We don’t have any headliners to contend with,” says Eliott Whitehurst, the band’s mandolinist, guitarist and lyricist. “But at the same time, it’ll be a challenge because we’ve never been in that situation where it’s like, ‘Oh, look there’s all these people,’ and they continue to walk by.”
Whitehurst, who lives in Napa, says he is excited for this year’s festival—not in the least because he’ll be playing in it, but also because the concerns of last year are being mitigated. “Last year, we actually got out of town,” he says. “People in Napa were of one of two minds: either this is going to be awesome… or oh my god, we do not have the infrastructure to handle what is going to be thrown at this city.” With a festival expecting 30,000 people per day for an entire weekend, in a city of 78,340, that’s to be expected. Though he’s sure there will still be challenges, Whitehurst says, “I’m not as afraid of it this year as I was last year.”
Local acts playing in the festival come from as far away as San Francisco, and Whitehurst says about 150 bands sent entries to Thea Whitsil, who also organizes the annual Napa Porchfest, to fill 32 spots. Instead of having an “in” or being owed a favor, as is the case when so many bands are booked for a festival like this, Trebuchet and the other local acts were picked on merit. “That’s why we’re so stoked on it,” says Whitehurst, who knows the industry well, coming from a musical family.
The group made a one-shot montage video as an homage to the big names at Bottlerock, rearranging pieces of about a dozen songs into their own style. It was a hit—garnering over 1,200 Youtube views in just over two weeks. “It didn’t take us too long,” says Whitehurst. “We practiced for a day and maybe did 10 shots of us doing it live.” The festival is filled with nostalgia for those who grew up with the soundtrack of the ‘90s. Whitehurst is no exception. “I can’t deny how fun it will be,” he says. Outkast and Weezer will be great, and, because they’re a sure-fire way to heat things up, he’s also stoked to see Blues Traveler.
Welcome to Bottlerock, 1999! The Napa music festival announced the lineup for its second annual concert, and it’s full of ‘90s nostalgia. Weezer? LL Cool J? Outkast? Ok, I get those, but Third Eye Blind? Barenaked Ladies? Smash Mouth? That’s where I’m lost. I mean, Smash Mouth actually played at the Sonoma-Marin Fair three times in the past eight years. At least Bottlerock didn’t book Tower of Power and Elvin Bishop (nothing against those excellent groups but they play the fair every year, too). Want more ‘90s? Blues Travelor. De La Soul. Spin Doctors. Gin Blossoms. Camper Van Beethoven. Oh, how I wish I were making this up.
The Cure is also headlining, as is Heart. So there’s some ‘80s love being spread around, too. But these old-school bands are being placed alongside hip, young acts like Robert Delong, Empires and Deerhunter. Shoutout to Moonalice for representing the North Bay, maybe they’ll challenge Matisyahu, Sublime with Rome and Tea Leaf Green for the most smoke-filled stage. Oh, and country star Eric Church is the other big name, here. Robert Earl Keen is also playing. Diverse, indeed.
There’s still “more to come,” but I can’t imagine any huge names being announced. Spread out over three days, this will make for an interesting concert. Three-day passes are $249, and will rise to $279 soon. Single-day tickets are not yet on sale, but when they were available last week (at a discounted Napa residents price), they were $129.
As for this little gem, you’re welcome.
The full lineup, mostly for SEO purposes:
Camper Van Beethoven
De La Soul
Hurray For The Riff Raff
Karl Denson’s Tiny Universe
Keep Shelly In Athens
LL Cool J
Matt and Kim
Robert Earl Keen
Sublime with Rome
Tea Leaf Green
The Black Angels
The Stone Foxes
Thee Oh Sees
Third Eye Blind
Bottlerock, the weekend-long Napa music festival that began with a bang last year but nearly fizzled when it wound up owing almost $10 million to everyone from food vendors to port-o-potty providers, has announced that it will return this year under new ownership. Today, it was revealed that not only do the new producers have support from city officials, they’re ahead of the curve as far as submitting permits for the event at the Napa Valley Expo. “I appreciate the fact that Latitude 38 has brought in a team that has us far ahead of planning at this point last year,” says Napa Police Captain Steve Potter in a press release.
This is revealing for two reasons. First, it shows the faith city officials have in the new producers. The city was shorted over $100,000 the first time, and the Expo Center itself was owed over $300,000. Now, with new producers, everyone is all smiles. “The Latitude 38 team has the right business experience, skill sets and vision to make BottleRock Napa Valley thrive in 2014,” says Napa mayor Jill Techel in a statement. “BottleRock puts Napa on the map in a new and good way and as mayor, I look forward to Napa hosting it again.” Wow, that’s almost second base, right there. Keep the lights on, you two.
Bands will be announced in mid-March, say the event producers, but judging from last year’s lineup, which included the Black Keys, Kings of Leon, the Shins, Zac Brown Band, Jane’s Addiction, the Flaming Lips, Primus, Macklemore & Ryan Lewis, the Black Crowes and many others, it will be a big deal. At a pre-concert screening of his movie, “Sound City” last year at the Uptown Theater in Napa, Dave Grohl said it didn’t work out logistically that year, but if Bottlerock happened in 2014 the Foo Fighters would play the festival. That would be pretty darned cool. And while we’re making suggestions, at least one music fan is crossing his fingers for Prince to be top the list of headliners this year, too.
This year’s festival takes place May 30–June 1 at the Napa Valley Expo.
Napa’s Comfort Slacks released their official video this weekend for “Biscuit on My Six,” and it’s highly suggested you watch it. This band makes catchy, fun music that’s so irreverent it’s hard not to find something to love in each song.
In this video, see if you can spot the following: Shake Weight™, a judge, weatherman, a toaster that has the word “cooking” hand painted on it, Etch-a-Sketch™, a man getting a haircut, wine in a coffee mug, a comically large “cigarette,” plastic He-Man™ toy, gold hotpants, underpants that fit four people at once.
The video, which is a genius riff on a local morning television talk show, dares the viewer to contemplete: What’s your favorite type of biscuit? Blueberry? Dog? Gluten-free? Whisker? Sweet? Buttermilk?
It’s a great video, but I have to say I’m a little disappointed that this isn’t an actual show. I’d watch it every morning.
She started as a wave, rolling in from far out in the ocean. She built up steam and, halfway through the show, her jokes began to land with explosions of laughter. Anjelah Johnson is more than a one-joke pony–this California comedian’s built to last.
Slipping seamlessly between “normal” and her lovable ghetto gurrrl voiced-characters, Johnson was a quick study for the audience at Napa’s Uptown Theater last night. Some hilarious jokes were performed so quick and nonchalantly that the audience, largely unfamiliar with much of the culture she was referencing, probably would have laughed even harder had they grown up in a more diverse area. Her opening joke nailed this sentiment. “I’ve never been to Napa before,” says the Mexican comedian who grew up in San Jose before moving to Los Angeles. “I thought it would be more…” and she made a snooty duck face. You know, the ones on every teenager’s Facebook page, but influenced by a glass of wine and a sense of entitlement. Before anyone starts up the hate train, I stress that she said it wasn’t like that. Unbundle your undies, already.
I’m going to sandwich a bit about Kabir Singh’s set in the middle because I don’t want anyone to miss it. This Indian comedian opened the night with hillarious riffs on Indian culture, among other topics. He’s very loud and energetic and it’s tough not to like him. Besides that, his jokes are great. One of my favorites was Indians bargaining: “Even an Indian getting mugged would bargain. ‘I’m gonna shoot you!’ ‘Ok, buddy, how about you just stab me and we call it a day, huh?'”
Johnson recently married a Christian rapper, who was on hand to pose for pictures with everyone leaving the theater. If you search Instagram, just type “Anjelah Johnson’s hudband”–this will yield more results than his name, surely, which I still don’t know. Even though she once had a whole joke about the oxymoronic music genre that is Christian rap, Johnson (and her huge, sparkly diamond ring) seems quite happy with the turn of events. Her jokes about moving in and starting a life together were not as brutal as they could have been. Maybe her biggest peeve was her husband’s use, once, of her toothbrush. “I never even thought of that as an option,” she says.
Johnson mostly went with new material, but a few Raiderettes in the crowd, waving pom poms after the best jokes, caught her attention. She busted out some moves (she was a Raiders cheerleader in 2003 when the team went to the Super Bowl), and even made a Raiders joke (the punchline was, essentially, the Raiders). The Raiders fan in the front row could not argue, and even took off his hat in a moment of shame.
She saved her “hits” for the end, busting out the characters of Bon Qui Qui and the Nail Salon Lady while showing T-Shirts and even a 3-song rap CD featuring the characters. She rapped along with some of it over the sound system and said the idea was picked up by Atlantic Records and to expect a full-length effort soon. With all her skills (she’s a talented dancer, singer and rapper in addition to being ridiculously funny), it’s a wonder she hasn’t landed more movie roles or her own TV show (though she does a significant amount of voice acting). If this album news is true, it could be the crossover hit that cements her career. Hey, good music is good, and good music that’s funny is often even more entertaining.
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