Northern California slacker-art house garage band the Imperfections fall somewhere between the Velvet Underground and Sonic Youth in the underground rock spectrum. Their heavy distortions screams rock and roll, yet their tight rhythms and addictive hooks display a pop sensibility that’s practically (college) radio friendly.
Active since 2013, the band already has two nicely fuzzed and noisy albums under their belt, and last month, the Imperfections released their latest single, “Maureen.” An upbeat and lo-fi ditty, this throwback power pop song is toe-tapping and sunny with an awesomely off-kilter guitar solo that gets slightly shoegazing.
Tonight, the band plays Spancky’s Bar in Cotati with fellow North bay acts Flyover States and Bucc Nyfe. You can get more details of the show by clicking here. And get in the mood by listening to the single below.
Santa Rosa guitarist and songwriter Francesco Catania is a bit of a musical chameleon, able to rock a melodic soul jam as easily as a post punk anthem. He’s been seen playing alongside local favorites like John Courage, and recently went on the road with Arizona garage rock duo Burning Palms.
This weekend, Catania dusts off his gold cape and shiny shoes to show a different side of his musical personality when he performs under his solo electronic outfit Frances Wolfe. An ongoing project since 2013, Frances Wolfe allows Catania to go deep into his inner cosmos, producing synth and reverb-soaked atmospheres that blissfully explore ambient sounds and abstract melodies for a down-tempo chill wave head trip.
In anticipation of a new EP this fall, Frances Wolfe has released his latest single, “Portrait.” The tune wanders in and out of a trippy guitar riff as building feedback menacingly encroaches and Catania’s voice floats like an out-of-body experience. Listen to “Portrait” below:
On Sunday, Aug 2, Frances Wolfe performs at the Arlene Francis Center as part of an eclectic showthat also includes face-melting jazz from InOverOut, rock and roll from Sleepwalk Sunday, dreamy punk from Plastic Ghost, groovy pianos from Saffell and more. 99 Sixth St, Santa Rosa. 7pm. $5-$10. For more details, click here.
The 6th year of the Rivertown Revival, the local, arts-based, community festival that highlights the Petaluma River and all of the amazing artists who call our county home, takes place on Saturday, July 18.
This year’s party includes an art boat race and parade, floating art barges and an all-day festival which highlights local music, art, food and drink and over 40 fabulous local vendors. The Rivertown Revival is sure to be 2015’s most unique and creative summer festival. The music lineup is, of course, packed; with several stages and tents offering up something for everyone, even the kids.
The lineup features Marshall House Project, Corner Store Kids, David Luning, the Crux, Royal Jelly Jive, Circus Maximus, the Dixie Giants, Sally Haggard, and so many more. For full details check iout the Rivertown Revival web page here.
Why is this blog called City Sound Inertia?
I’m destined to be asked this question sooner or later, so I may as well answer it in my first-ever blog posting.
In 2003, I put together a compilation CD of local Santa Rosa bands who, due to a variety of reasons (lack of press coverage, the nonexistence of MySpace), no one had heard outside of occasional house parties and dingy fly-by-night clubs. I wanted to remedy that. So I collected together 11 songs that I felt were best representative of Santa Rosa’s local music scene at the time, put them on a CD, and sold it for $2.99.
Lots of people, including those at the Bohemian (funny how life works out), took note; but unfortunately, more than a few people, while I was getting songs together, told me something along the lines of “that’s so great, man, ’cause this town sucks for music!”
It hurt. Those of you who know me also know that I’m awfully defensive about Santa Rosa, and by putting together the compilation I wanted to outline precisely that this town does not suck for music; in fact, there’s fantastic music in this town around every corner. It’s hard to get people to take notice of it, true, and being in a band can be a very uphill and very expensive battle, but year in and year out, good music seems to constantly prevail.
With that in mind, I gave the CD a title: City Sound Inertia.
Half the bands on the CD have broken up by now, but the compilation’s liner notes conveying my optimism still hold true. I wrote them quickly but passionately, and in essence, they apply to the future of this blog as well. Read on: