Santa Rosa’s experimental noise rockers Secret Cat make some of the most head-spinning, mind-altering rock and roll music in the North Bay, taking cues from Zappa, early ‘Discord’ bands and dystopian robot romance novels. The band just wrapped recording their latest batch of garage rock with a twist, Smiling Songs, and released it online last week. Now, the cats are looking to take their tunes on the road with a tour, and they need your help.
The band, which consists of Ian Shoop(vocals, guitar), Melati Citrawireja(bass), Emile Rosewater(drums) and Charlie Davenport(guitar), have a Kickstarter page for the occasion; and though generous donations have already streamed in, there are several special rewards for anyone still looking to donate, from handmade art to photo studio sessions with Citrawireja and more.
For this tour, Secret Cat is also bringing a new visual element to the live show in the form of a live mask and puppet performance developed with the help of Quenby Dolgushkin, and the band is hoping to traverse the Pacific Northwest freaking out unsuspecting audiences along the way. Today is the last day to donate, so head over to their page now and click the button.
You can listen to Smiling Songs right here.
Amanda Palmer is a dark traditionalist. Staying close to the inherent “rock” values of authenticity and performance, her song writing is ingenious. Filled with melancholy playfulness and longing for human understanding, her music seamlessly shifts between genres. Happier songs are laced with synth pop and air pianos, somber ballads combine orchestras with horns and ukuleles. Most notably, Palmer’s performances always captivate the energy of the audience. With as much taking as she is receiving, Amanda’s intensity translates into exceptional stage presence.
On this occasion, a private audience of Kickstarter campaign donators and selected invitees joined fans from the press to take part in Palmer’s current six-city international tour. Stopping in Berlin, London and New York the circuit is promoting her new album “Theatre Is Evil”, out September 2012 on 8ft Records. The album has sold nearly 25,000 pre-order copies via the digital funding platform. With a sold-out show the following night, Thursday’s attendees experienced the exhibit in rare intimate format.
The art space at Public Works is a long, winding closet of a gallery. Stemming off the side of the two-story warehouse on the eastern edge of San Francisco’s Mission District, the venue has become the dernier cri for contemporary art and performance.