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Help Highway Poets Record Their First Professional Album

Posted by: on Oct 24, 2016 | Comments (0)

 

Petaluma’s retro soul collective the Highway Poets have been jamming in the North Bay and beyond for several years now, racking up three Bohemian NorBay Music Awards and many other “best of” accolades along the way. A dynamic live band who push the boundaries of rock ‘n’ roll, folk, indie and soul music, the band is currently prepping to record their first professional studio album and they’ve kicked off a Kickstarter campaign to help raise the funds necessary.

The band promises the new album will be a gritty and sophisticated collection, a modern blend of rock infused with classic influences and diverse feel-good vibes. With a little help from friends and fans, the Highway Poets plan on making this record the right way in a decked-out studio, produced with the best engineers and equipment available.

Click on the link here to go to the band’s Kickstarter site and throw them a few bucks to get them in studio. Donation perks include copies of the album and production credit, meaning that this is a great chance to both pre-order the album and help ensure it gets made at the same time. There’s also a chance to appear in an upcoming music video, backstage meet-and-greets and more, depending on your donation. Don’t delay, help the Highway Poets now.

The Highways Poets perform next on Saturday, Oct 29, at Kokomo winery, 4791 Dry Creek Rd Healdsburg. 5pm. 707.433.0200

Secret Cat Needs Your Help

Posted by: on Aug 10, 2015 | Comments (1)

photo by Quenby Dolgushkin

Santa Rosa’s experimental noise rockers Secret Cat make some of the most head-spinning, mind-altering rock and roll music in the North Bay, taking cues from Zappa, early ‘Discord’ bands and dystopian robot romance novels. The band just wrapped recording their latest batch of garage rock with a twist, Smiling Songs, and released it online last week. Now, the cats are looking to take their tunes on the road with a tour, and they need your help.

The band, which consists of Ian Shoop(vocals, guitar), Melati Citrawireja(bass), Emile Rosewater(drums) and Charlie Davenport(guitar), have a Kickstarter page for the occasion; and though generous donations have already streamed in, there are several special rewards for anyone still looking to donate, from handmade art to photo studio sessions with Citrawireja and more.

For this tour, Secret Cat is also bringing a new visual element to the live show in the form of a live mask and puppet performance developed with the help of Quenby Dolgushkin, and the band is hoping to traverse the Pacific Northwest freaking out unsuspecting audiences along the way. Today is the last day to donate, so head over to their page now and click the button.

You can listen to Smiling Songs right here.

Live Review: Amanda Palmer at Public Works, San Francisco

Live Review: Amanda Palmer at Public Works, San Francisco

Posted by: on Jul 18, 2012 | Comments (0)

Amanda Palmer and The Grand Theft Orchestra. Photo by David Korman

 

 

Amanda Palmer is a dark traditionalist. Staying close to the inherent “rock” values of authenticity and performance, her song writing is ingenious. Filled with melancholy playfulness and longing for human understanding, her music seamlessly shifts between genres. Happier songs are laced with synth pop and air pianos, somber ballads combine orchestras with horns and ukuleles. Most notably, Palmer’s performances always captivate the energy of the audience. With as much taking as she is receiving, Amanda’s intensity translates into exceptional stage presence.

On this occasion, a private audience of Kickstarter campaign donators and selected invitees joined fans from the press to take part in Palmer’s current six-city international tour. Stopping in Berlin, London and New York the circuit is promoting her new album “Theatre Is Evil”, out September 2012 on 8ft Records. The album has sold nearly 25,000 pre-order copies via the digital funding platform. With a sold-out show the following night, Thursday’s attendees experienced the exhibit in rare intimate format.

The art space at Public Works is a long, winding closet of a gallery. Stemming off the side of the two-story warehouse on the eastern edge of San Francisco’s Mission District, the venue has become the dernier cri for contemporary art and performance.