Taking place in the cultural heart of Santa Rosa, last year’s inaugural Railroad Square Music Festival, presented by the North Bay Hootenanny, was hands down one of 2015’s best days of music in Sonoma County. With two stages of bands belting out folk, rock and country music and wild acts from performance art groups like Circus Maximus, the free-admission and all-ages event perfectly captured the freewheeling, laid back and friendly way most people around here like to live their life.
Now, the Railroad Square Music Festival is in the planning stages for round two, set to take place once again in the historic square on Sunday, June 5, 2016. And the first wave of acts has already been announced.
Slated to appear at this year’s fest are the Easy Leaves, Royal Jelly Jive, the Dixie Giants, the Bootleg Honeys and John Courage; an eclectic blend of traditional country, gypsy jazz, New Orleans jazz, Americana and rock and roll. And that’s only the ones we know about so far. To stayed tuned to the happenings with 2016’s Railroad Square Music Festival, check the website here. To see highlights of last year’s event, click on the video.
It seemed like an improbable dream; organize a music festival in downtown Santa Rosa with multiple stages and a stellar lineup of the Bay Area’s hottest folk and revival acts, and make it free for all to attend. Yet, this year’s inaugural Railroad Square Music Festival was an outstanding success that brought together a friendly, communal and musical vibe that was positive as it was invigorating.
The all-day lineup of bands featured a host of performers who are beloved in the North Bay and beyond with headliners like the Brothers Comatose, T Sisters and the Sam Chase all on hand. I arrived just in time to see Santa Rosa’s own John Courage fronting his blues rock trio the Stone Cold Killers and playing an electrified set of sizzling solos and groovy jams on the Traveling Spectacular Stage, a vaudeville-inspired mobile set up that transforms from a truck into a full-on stage experience.
The main stage, donated by the city of Santa Rosa, saw Santa Cruz’s Marty O’Reilly and the Old Soul Orchestra perform the slowest burning set of the day. The young, but experienced group took traditional rhythms and infused them with a emotional and strained energy for supremely satisfying pay offs. The Old Soul Orchestra will be back in the North Bay on Saturday, June 20, performing at the Big Easy in Petaluma to raise funds for a European tour they have planned in the coming months.
The neighborly feeling at the festival extended from audiences to the bands, with special appearances and pairings; such as when enchanting singer Sally Haggard jumped in with Frankie Boots and the County Line for a ditty, or when the main stage was packed full of performers at the close of the show. The Brothers Comatose held crowds captive with their fast fiddling and multi-part harmonies, and many attendees stayed past the 7pm end time to contribute to an ebullient sidewalk chalk jamboree.
The Festival’s ultimate success was due to the tireless work of the North Bay Hootenanny’s Josh Windmiller and an army of volunteer staff who made the whole thing a smooth and easy experience. Food and drink lines moved quickly (even as 32 kegs of Lagunitas beer sold out in the early evening), kids and families hung out in the shade of the Big Tree kids area, and Wilson Street turned into an art walk with live art sessions by Luddart artists and wares from local vendors. Kudos to all involved. Here’s hoping the Railroad Square Music Festival returns next summer. If you’d like to contribute to the local music scene and events like this, you can donate to the North Bay Hootenanny, a nonprofit group, by clicking here.
By Leilani Clark
With the death this week of Levon Helm, the world lost one of country-rock’s finest ambassadors. As drummer and singer for The Band, Helm was at the forefront of a musical movement, along with The Birds, Bob Dylan, Flying Burrito Brothers, Gram Parsons, and even Led Zeppelin at times, that combined, to fine effect, the rough-and-tumble feel of rock with the rangy, winsome tones of country music.
Fortunately, Sonoma County has produced its own country-rock ambassador in John Courage. On Saturday, April 21, at the Last Day Saloon, he celebrates the release of Don’t Fail Me Now, his first album to feature the bona fide, full-blown band known as John Courage and the Great Plains. A springtime release date is perfect for this smooth-toned, solidly produced album. Just like the black velvet drawing on the back by local artist Mica Jennings, the album is a prime soundtrack for poolside hangout sessions with a cold drinks and friends, or maybe long stints on the road driving to deserts and mountains.
While some of the lyrics are in the vein of “yearning for a pretty, long-haired lady in a short skirt who understands that behind my stoic, highway-burned face is a man who just needs real love,” the songs have an expansiveness that probably comes partially from the time Courage (nee Palmer) spent in living in New Mexico’s high desert a few years back. In one of the album’s best moments, on the song “Heartbreak Man,” the unapologetic narrator says goodbye without looking back, in the morning, or “under cover in the middle of the night,” and the lady and town about to be left behind are gifted with this caustic observation: “I miss my life back on the West Coast/I forgot my true identity/No one here knows my god-given name/They’re just in love with the fantasy.”
“Old Faithful Pulse” explores the three M’s: mortality, mystery, and misery. It sets the tone for the ensuing set of songs, well-crafted melodies that build up to crackling, sing-a-long choruses, of the type to be sung in hot, southern bars, where the only requirement is a beer in hand and a lost love lingering in the shadows near the jukebox.
The song “Middle Man” is a bluesy juke-joint tale of lies and cheating. “If it all ends tonight,” Courage sings, “how it all went down.” Money trees, devil tea, and bad men on the horizon, it’s all in there, sung with an convincingly burning sarcasm. It tells a story, and reminds us that often times the best music is told from the distant third, not necessarily the close first.
On many songs, Courage’s voice carries the languid, passionate, caramel tones similar to Chan Marshall from Cat Power, and though at times the songs are as world-weary—filled with hustlers and heartbreakers— as the famously world-sick front woman’s, the album’s 21st-century wild-west territories are subtly optimistic, bathed in golden California sunlight. The title track has a surprisingly poppy bridge, kicked up a notch with dulcet bell tones that might have come straight off Smashing Pumpkins’ Siamese Dream. “You take the mountain, I’ll take the crown,” sings Courage, simultaneously giving in and remaining hopeful.
On the last track, Courage wails, “I sold my soul for rock-and-roll” in a somber, nearly cracking voice that belies his age, singing softly, sadly—seeming over it before he’s even started. “It ain’t paying up,” he bemoans in the chorus. Yet, in actuality, with this new album, music’s melodic riches have truly bestowed themselves on this particular lanky, red-headed West Coast son.
The North Bay Hootenanny presents the album release show for John Courage and the Great Plains on Saturday, April 21, at the Last Day Saloon. 120 5th Street, Santa Rosa. 8pm. $10-$12. 707.545.5876. CDs will be available for $5.00.
Here’s a video for Courage’s home demo “Game of Charades.” It’s not on the album, but it’s a nice, pensive tune.