Oakland singer-songwriter Jessie Antonick is an emotionally resonant artist, and her output under the moniker Pony Hunt reflects her personal journey with creative flair and nostalgic sweetness.
Pony Hunt’s debut album, Heart Creak, plays like a long lost jukebox of ’50s and ’60s pop imbued with forlorn heartsick and soulful sounds. Released this month, Heart Creak is already receiving rave reviews.
Hear for yourself when Pony Hunt performs an album release show on Saturday, Oct 29, at the Last Record Store, 1899 Mendocino Ave, Santa Rosa. 2pm. Free.
Bay Area alternative indie band Picture Atlantic possess a rapid fire rock and roll sound that harkens back to the festive pop of British Invasion bands while repping an authentic West Coast brashness.
Recently, the band released the quick, acerbic and memorable “Billy Banker,” the second official single off the upcoming full length album, Assouf, due out October 21.
Take two minutes out of your Friday to hear the high-energy single below, and head over to Silo’s in Napa tonight to see the band perform with Napa natives and fellow indie rockers Anadel. The first fifty in the door even get that sweet show poster to take home.
Subtle lo-fi songwriter Bill Callahan, who spent 15 years making music under the name Smog before venturing out under his birth name, opens the 2016 concert season at Sonoma’s hippest winery venue, Gundlach Bundschu, next month on Feb 24.
Fans of Smog and Callahan (who I count myself among) have long been obsessed with his sonorous baritone vocals delivered over sometimes dreary, sometimes groovy and often minimalistic instrumentation. Since the late ’80s, Callahan has operated with a singularly artistic vision, infusing his poetic songs with heartbreaking and revealing storytelling lyricism.
For the upcoming February concert, co-presented by (((folkYEAH!))), the songwriter is slated to appear in Gun Bun’s historic century-old Redwood Barn, recently restored to its former glory. Carpooling is encouraged, and dressing in warm layers is a must! Tickets to this intimate, one of a kind concert are available here.
Below is a video of one of my favorite Smog tracks, “Hit the Ground Running.”
Brooklyn indie pop group Lucius has been steadily rising through the musical ranks ever since their 2013 album Wildewoman shot to tops of many critics’ lists with infectious melodies and the stunning harmonies of duel vocalists Jess Wolfe and Holly Laessig.
Last year, Lucius performed at Lagunitas Brewing Company in Petaluma as part of the brewery’s Summer Concert Series. Apparently, that experience was so good that the band has been looking to work with Lagunitas again. Today, Lucius announced they’re teaming with the North Bay brewer for a tour. From their website:
“Since playing a memorable show in Lagunitas’ backyard last summer (which ended with an an audience-sourced video that captured the last song of the night), Lucius x Lagunitas has been thinking of ways to recreate that same communal feeling.
So, here we are, thrilled to announce that next month, just before Thanksgiving, Lucius x Lagunitas will team up for a week of shows in the Pacific Northwest. All tickets sales will be donated to a local nonprofit in each city.
The four-date tour hits Washington and Oregon before it concludes at the Phoenix Theater in Petaluma on November 21. The concert will be a benefit for the theater, and will boast beer sales for 21-and-over attendees, something rarely done at the venue. Tickets go on sale Friday and more info can be found here.
Click on the video below to watch that crowd-sourced video from last year’s show at Lagunitas and hear why Lucius is one of the most enchanting groups performing today.
The musical minds running Gundlach Bundschu Winery are at it again, working with Bay Area concert curators (((folkYEAH!))) to bring the best in indie-minded bands and songwriters to Sonoma Valley. Today, the two partners announced a pair of new shows, with Gun Bun welcoming Cat Power on Wednesday, September 2, and Bonnie “Price” Billy on Sunday, September 27.
Enigmatic singer and songwriter Cat Power, aka Chan Marshall, has evolved from a lo-fi punk singer to an acclaimed and eclectic songwriter in her 20-year career. Her most recent album, 2012’s Sun, was praised for its passion and pop sensibility. This summer marks the famously introspective artist’s first live dates since announcing she gave birth to a baby in late April.
Bonnie “Prince” Billy is the stage name for songwriter and occasional actor Will Oldham. Since 1998, Oldham has released the majority of his musical works under the pseudonym, crafting a traditional roots rock and Americana folk with a gutsy, avant-garde approach that always satisfies. His latest LP, 2014’s Singer’s Grave a Sea of Tongues, exemplifies Oldham’s willingness to bend the rules by acting as a covers album to his own previous material with rollicking reworkings and stark new translations of his older tunes.
These two shows are in addition to Gun Bun’s already highly anticipated upcoming concert with Seattle grunge legends Mudhoney and the excellently loud San Francisco garage rockers Fuzz, featuring Ty Segall. That show is scheduled for Friday, October 16.
Singer and songwriter Martha Davis has fronted some form of her seminal new wave band, The Motels, since first forming the group in 1971 in her hometown of Berkeley, CA. Originally, under a few different names, the group adopted the moniker of the Motels after landing in Los Angeles in 1975 with a record contract from Capitol.
Over the next decade, the Motels would hit the Billboard Chart Top 100 over and over again with hits like “Only the Lonely” and “Suddenly Last Summer.” Davis lead the group though various lineup changes with her sonorous and melancholy voice over darkly pleading synths and edgy guitars, giving the tunes an unmistakable and alluring hook.
Over the years, Davis has re-formed the group time and again, and in 2013, the band was re-branded with a permanent name, Martha Davis and The Motels. Possessing a voice still as effervescent as it was 40 years ago, Martha Davis and the Motels perform at City Winery Napa tonight, July 27, with their timeless melodies and irresistible charm in tow. Tickets are still available, so don’t miss this chance to re-connect with an old favorite or discover a classic group for the first time.
City Winery Napa is located at 1030 Main St, Napa. 8pm. $25-$35. 707.260.1600.
Zodiacs in Petaluma continually puts on eclectic live shows, and tonight they’re going strictly indie rock with a free jam-packed lineup of some of the most exciting young bands in the area.
Headlining is Santa Rosa rising stars Girls & Boys, past winners of the Bohemian’s Norbay Music Award, who have quickly impressed audiences around the Bay Area with a moody swagger and soulful pop jams. Their music has already hit the waves of television and film, and with a new album on the way, the band are preparing for a massive tour later in the year.
Next up are power rockers EagleWolfSnake out of San Francisco. I last saw this band perform at this year’s BottleRock Music Festival in Napa and they bring an infectious ebullience to their sets. Dedicated to spreading that joy to their audience, this young band is the most likely to get everyone jumping in unison at the show tonight.
That’s only if Lungs & Limbs doesn’t do it first. Led by the alluring voice of Karina Rousseau, the spirited ensemble describe themselves as Pink Floyd meets the Yeah Yeah Yeahs. Based on their shiny demo songs, it’s hard to argue with them.
Opening the show is a personal favorite of mine, the impassioned rock group Manzanita Falls. In their few years together, the group has already faced and overcome adversity and now they’re set to head into the recording studio to follow up their debut release, Vinyl Ghost.
Zodiac’s is located at 256 Petaluma Blvd North, Petaluma. Tonight’s show starts at 8:30pm and is FREE!
The heavenly harmonies emanating from the folk gospel duo MaMuse has steadily built a following around their spiritual and sonorous songs. They have appeared numerous times at folk fests like Kate Wolf and won best duet performance on “A Prairie Home Companion” in 2012. This year, the Chico-based Sarah Nutting and Karisha Longaker have released their most personal and ethereal album to date, Heart Nouveau. Featuring collaborations with songwriter Molly Hartwell and a deep percussive rhythm throughout, the new record is emotionally charged and resonant.
This week, MaMuse celebrates the new album with a performance in Sebastopol. Hartwell will be on hand to lend her voice, as will longtime friend and musician Mike Wofchuck. Lauren Brown opens the show on Saturday, July 11, at Subud Hall, 234 Hutchins Ave, Sebastopol. 7:30pm. $18-$20. Get tickets here.
We’re pretty stoked that after 3 years away, Jello Biafra and the Guantanamo School of Medicine are coming back to Santa Rosa’s Arlene Francis Center, appearing April 4. In the last year, the punk icon/outspoken artist and his band released their second LP, White People and the Damage Done, and the former Dead Kennedys front man has been getting punks into mosh pits around the world, from Coachella Festival appearances to tours in Australia and Europe. Now, Biafra returns with the help of Pins of Light, We Are the Men, and local favorite Jack Attack in reportedly his final performance ever. Absolutely not to be missed, tickets for the April 4 all ages show go on sale March 1. $15.
Last night’s show at the Arlene Francis Center in Santa Rosa was a revelation. I thought punk was dead; turns out it’s alive, but it lives in Oakland and Mexico City.
On the hottest day of the year (103 degrees, for fuck’s sake), a bunch of punk bands and fans crowded into the even hotter Arlene Francis Center to “dance” to fast, loud rock and roll music. Dancing, of course, is subjective. Nobody complained about the heat, but shirts were removed (and, at times, pants). Some bands didn’t show up, some unscheduled bands did, almost everyone shared the same drum set all night (which, since I was running sound, I was fully on board with). Turns out most of the bands were from Oakland, and two were from Mexico City. So that’s where all the rock and roll was hiding.
Burger Records’ Pookie and the Poodlez started off in the café, with the underwear-clad front man screeching into a yellow telephone receiver living a second life as a microphone. This is the ‘60s, semi-surf punk craze all the kids are into now, with the grit and simplicity of the Ramones combined with the poppy harmonies of the Monkees. That front man was in four bands of the evening, including Elvis Christ, Cumstain and Primitive Hearts, covering vocals, guitar and drumming duties.
In Cumstain, the singer and drummer donned stockings over their heads, as if they were about to burglarize the crowd. The only thing they stole, however, was the show, as the crowd threw possibly half-full cans of Pabst at the stage in appreciation. Crazy antics and wearing a stocking on your head in 100-degree heat playing fast punk rock under stage lights for half an hour will do that.
And now for something completely different, in every sense of the word. We Are the Men took the stage next. This super-talented group of Bay Area natives played unclassifiable rock, possibly in the vein of Dillinger Escape Plan or Triclops, but with a hearty helping of what-the-fuck-is-this-music on the side. Lots of screaming, lots of dynamic and style changes mid-song, lots of catchy-as-fuck hooks that disappeared as quickly and mysteriously as they appeared. I liked them, I think. Judging by faces in the crowd, it seems like many had a similar opinion. I think.
Elvis Christ was led by a standup comedian in training, who yakked about half the time, and took a Pabst to the nuts for his troubles. All in good fun, because he was actually somewhat amusing, and the doo-wop punk rock was delightful.
Los Headaches, from Mexico City, came on at midnight after waiting the whole day for their 15 minutes, literally, of “fame.” Even at this late hour, there were a few stragglers still watching and dancing. The next band, which featured the same members plus one crazy ass motherfucker of a singer, played for 20 minutes immediately after.
I didn’t catch their name, they weren’t on the official flyer It’s Los Vincent Black Shadows – Thanks Sam). Holy shit. At 12:15am, this band pulled in a larger crowd just two songs into their set. The energy gave the crowd a second wind and stage diving, knocking over of instruments, heavy moshing (not that circle pit bullshit) took place. Their songs were in English (as far as I could tell, at least–he was yelling most of the time, sometimes with a microphone literally in his mouth), but it didn’t matter because punk rock transcends language. During one song, the singer repeatedly bashed his guitar, neck down, into the ground, then threw it across the stage and ran after it, like it had just stolen his wallet, and stomped on it to teach it a lesson. The guitar did not break.
Santa Rosa’s music scene is vastly differently from other parts of the Bay Area, as evidenced by this show comprised of bands from outside the area. Kudos to Jake Ward for organizing the show, which also had a barbecue and awesome looking stage. Here’s to more traveling bands coming to one of the few venues in greater Sonoma County supporting music as more than just a moneymaker.