For this edition of On the Stereo, we welcome my friend and fellow record collector Gerry Stumbaugh. Gerry’s worked at the Last Record Store in Santa Rosa for almost ten years now, and he’s hosted the Left of the Dial radio show on KRCB for eight years. His preferred format is 7”s, bless his heart, and while he pounded Negro Modelos and I macked down on some El Farolito, we hung out and listened to nothing but 7”s.
I have to warn you—this play-by-play goes on forever. Click after the jump at your own risk. We’re record nerds. Lots of swearing, too. Sorry, Dad.
Included are discussions of 7”s by Themes, Bikini Kill, the Gaslamp Killer, Ratatat, Built to Spill, Santogold, No Age, Spank Rock, Screeching Weasel and Navy of the Nice, along with tangential excursions into Mexican snack treats, the unusual breakfast diet of Mike Watt, and the follies of WCW Tag Team Wrestling.
Without a doubt, one of my all-time favorite shows in Santa Rosa was the night in 1993 when Bikini Kill, illuminated by a semicircle of car headlights, played in someone’s backyard in Roseland.
I’ve stopped trying to tell the story, partly because the eventual ascension of Bikini Kill to indie icons in the general consciousness taints any kind of retelling with the risk of a coattail-riding smarminess—especially, y’know, coming from a dude—but mostly because I really just can’t do it any sort of justice.
In the year or so before the show happened—advertised only by hastily photocopied handbills a couple days ahead of time—me and all my friends had all played the hell out of Bikini Kill’s first EP, marveling at its economy of purpose. They used simple statements and actions to convey what a lot of Bay Area bands had been trying to say in words, words, and more words. I know it sounds like a cliché, but they changed my ideas about what a band could be—even when, in 1993, I was of the age where I’d prided myself (falsely, it would turn out) on seeing it all.
The Bikini Kill show in the backyard was inspiring, thrilling, and confusing, all at the same time, and it took me a few years to figure out just what the hell had happened. (The only thing that I can add to Leilani’s account is that my friend Andy went up to one of the band members afterwards, and said, “Hey, you guys were really good,” to which she shot back, “We’re not guys.”)
Last night I dug through some boxes and found some pictures that I took at the show:
I found the flyer too:
…and the setlist.