Check out this track listing for Bettye LaVette’s upcoming album of all British rock songs, due out May 25. Traffic, Zeppelin, Pink Floyd, Elton John. It’s kinda weird, but in a good way. Who decides to cover the Beatles, and picks “The Word”? Or covers the Stones, and picks “Salt of the Earth”?
At least she’s finally properly releasing her version of “Love, Reign O’er Me,” the show-stopper from The Who’s Kennedy Center tribute that was requested so many times from some dude in the front row when I saw her live that she had to kiss the guy on the lips to shut him up.
1. The Word (John Lennon/Paul McCartney)
2. No Time To Live (James Capaldi/Stephen Winwood)
3. Don’t Let Me Be Misunderstood (Bennie Benjamin/Gloria Caldwell/Sol Marcus)
4. All My Love (John Baldwin/Robert Plant)
5. Isn’t It A Pity (George Harrison)
6. Wish You Were Here (David Gilmour/Roger Waters)
7. It Don’t Come Easy (Richard Starkey)
8. Maybe I’m Amazed (Paul McCartney)
9. Salt Of The Earth (Michael Jagger/Keith Richards)
10. Nights In White Satin (David Hayward)
11. Why Does Love Got To Be So Sad (Eric Clapton/Bobby Whitlock)
12. Don’t Let The Sun Go Down On Me (Elton John/Bernard Taupin)
13. Love Reign O’er Me (Peter Townshend) [BONUS TRACK]
Of all the ways to shoot down a heckler, Bettye Lavette has the most effective method by far.
During Lavette’s heart-stopping, unfathomably brilliant performance Friday night at the Independent in San Francisco, after the same fan had three times been denied the same request for the Who’s “Love, Reign O’er Me,” she strutted right up to the gentleman, demanded “What did I tell you?!,” and planted a big kiss right on his lips.
The guy didn’t shout anything for the rest of the set—or, if he did, he was drowned out by the chorus of cheers that followed every song, every story, every single outpouring of emotion uprising from every cell and molecule in the depths of Lavette’s body and up to her throat and out of her mouth.
Lavette’s story by now is one all to familiar, even if her music is not: supremely talented singer eludes solid footing at record labels and languishes in obscurity until rediscovered decades later and, at least in Lavette’s case, sings Sam Cooke songs for Barack Obama. During a medley of early hits on Friday, Lavette ran down a quick biography by year: “By 1963 I thought I had grown,” she said, introducing “You’ll Never Change.” “I thought I was a star. I made this record, an’ boyfriend”—putting her hand on the shoulders of a man in the front row and staring him straight in the eyes—“it did not sell one copy. But I made it, I liked it, and I’m gonna sing it for you.”
Or, leading into her career-defining hit “Let Me Down Easy”: “This is the single recording that has literally kept me alive. When there was still black radio, this was number one in San Francisco,” she said to the blue-eyed crowd, “and I’d like to introduce it to the rest of you.”
And yet a good story alone does not a stellar performance guarantee. What sealed the night as Lavette’s—and not Booker T.’s, the headliner—was the constant intensity of her presence. During the third number, a beautiful, achingly pleading version of Willie Nelson’s “Pick Up My Pieces,” the sold-out club was pure silence, save for the whirring of the drummer’s electric fan. During “Souvenirs,” the John Prine song that she credited Village Music’s John Goddard for introducing to her, she sat on the floor of the stage, sometimes singing off-mic and holding the audience rapt.
And yet Lavette wasn’t all poignancy and heartache. In high-heel stilettos, she stomped, kicked, danced and jumped across the stage, delivering hip bumps on the beat and grinding away with guitar solos. By the end of the set, after leaving the stage, the applause was so strong that the soundman turned down the house music, Lavette came back out on stage, and she stood there awestruck, genuinely grateful for the turn in her career and the chance to sing again for a receptive audience.
And then, Bettye Lavette clutched the microphone and alone, sang an unaccompanied acapella of Sinead O’Connor’s “I Do Not Want What I Haven’t Got.” She dominated the song, set the microphone down, waved, and left the place in disbelief.
Booker T. didn’t have a chance.
Take Me Like I Am
Pick Up My Pieces
It Ain’t Easy
How Am I Different
I Guess We Shouldn’t Talk About That Now
You Don’t Know Me At All
Right In The Middle
Before the Money Came
I Do Not Want What I Haven’t Got