Arizona psychedelic rockers Destruction Unit are a no-holds-barred head trip through post-rock walls of sound. After two years of relative quiet, the pummeling five-piece outfit is back with the their most experimental brain melter of a record yet, Negative Feedback Resistor, due out Sept 18 on Sacred Bones.
In anticipation of the new album, Destruction Unit has released a few tracks via the world wide web, including this absolute scorcher of a song, “The Upper Hand.” In fact, this thing sound more like a punk rock cherry bomb, set off in the midst of a tornado, eclipsed by a tsunami swell of noise that washes over the whole thing by the end. It’s a monster, and it’s one of the band’s best ever. Listen here, if you dare.
The group is slated to hit European shores the same day the new record drops for a month-long tour, but before they embark, Destruction Unit is playing three dates in California, including a show hosted by the Pizza Punx on Thursday, Sept 3, at the Arlene Francis Center.
Also on the bill are Gag and White Wards, both Olympia, WA, bands that know how to thrash. Southern California weirdo punks the Coltranes and Seattle noisemakers Health Problems open the show.
Destruction Unit headline on Sept 3 at the Arlene Francis Center, 99 Sixth St, Santa Rosa. 8pm. $10.
The wildest variety show this side of the Golden Gate Bridge, the North Bay Cabaret usually hosts their monthly events at Santa Rosa’s Whiskey Tip, but this month the bands and burlesque dancers are storming another castle of sorts, when North Bay Cabaret comes to the Arlene Francis Center in Santa Rosa’s Railroad Square for their “Hot August Knights” show tonight.
Organizer and host Jake Ward once again gathers a troupe of belly dancers, artists, spoken word and standup performers as well as live bands and DJs in the lounge. This month’s theme incorporates all the RenFair goodness of medieval days, with just enough Monty Python thrown in for fun.
New this time, besides the location of course, is a lower age limit (18 and over) and high-flying aerial acts performed by Amanda Grace and Katie Nicole. They join Gypsy jazz troublemakers Hot Club Beelzebub and DJs Aspect McCarthy and True Justice along with others, soundtracking a night that also includes local poets like Susanne Dugan, William Lyon and even the AFC’s own Bruce Alan Rhodes.
There’s much more to be had at “Hot August Knights” tonight, so head on down and show Jake Ward, who just had his laptop stolen (boo!), some much needed love. Arlene Francis Center is located at 99 Sixth St, Santa Rosa. 8pm. $10.
Still not convinced? Check out the awesome trailer that Donald Husman put together.
We’re pretty stoked that after 3 years away, Jello Biafra and the Guantanamo School of Medicine are coming back to Santa Rosa’s Arlene Francis Center, appearing April 4. In the last year, the punk icon/outspoken artist and his band released their second LP, White People and the Damage Done, and the former Dead Kennedys front man has been getting punks into mosh pits around the world, from Coachella Festival appearances to tours in Australia and Europe. Now, Biafra returns with the help of Pins of Light, We Are the Men, and local favorite Jack Attack in reportedly his final performance ever. Absolutely not to be missed, tickets for the April 4 all ages show go on sale March 1. $15.
The cyclical nature of revolution songs is undeniable. Take a song from 100 years ago and it will be, at least in part, relevant today. Take, for example, the songs of Irish revolutionary James Connolly.
Mat Callahan, who fronted the San Francisco political punk/worldbeat band the Looters in the 80s, has compiled a book of Connolly’s music from original publications long thought lost to history. The book is put together well, with just enough history to give a sense of Connolly’s importance but relying mostly on the man’s own words from his music, all of which was written over 100 years ago. Connolly, a leading Marxist theorist in his day and was executed by the British in 1916.
Callahan and his wife Yvonne Moore, who now call Switzerland home, performed about a dozen songs on acoustic guitar and vocals at the Arlene Francis Center Friday night. The performance was the most punk rock thing I’ve seen all year, and will hold that title for at least a while. The duo sent a frozen shiver down my spine with lines like, “The people’s flag is deepest red, it shrouded oft our martyred dead; and ere their limbs grew stiff and cold, their hearts’ blood dyed its every fold.”
Santa Rosan Robert Ethington opened the show with original songs on acoustic guitar, accompanied by his wife Amy on vocals. They played a handful of powerful songs, suggesting they’d be a treat to see as a headlining act.
The album, “Songs of Freedom,” includes fully orchestrated versions of the songs Callahan and Moore played Friday night. It’s got Callahan’s worldbeat sensibility and arrangement, with guitar, bass, drums, Irish whistles, pipes, vocal harmony, fiddle, accordion and harp. The production is excellent, and the arrangements are updated to modern sensibility without losing their original feeling. Some tunes to Connolly’s songs were lost, so Callahan wrote original music to his lyrics. It serves to note that Connolly’s main purpose of putting these revolutionary words to music was for people to sing them and remember them, so many of the tunes are actually traditional country songs or somewhat hokey, simple melodies. They sound best when sung with 100 of your closest, most fed-up-with-the-system friends.
Get the book and CD here. It’s perfect for fans of history, revolution and Mat Callahan, each of which is equally important.
For this year’s NorBay Awards held on July 14, we here at the Bohemian are premiering an exciting new experiment: the 24-Hour Band Contest.
Here’s how it works: You sign up for the contest. You tell us your name, the instrument (or instruments) you play, your experience level and practice space situation. All ages and all experience levels are welcome.
Then, on July 13 at 6pm, we’ll meet at the Arlene Francis Center in Santa Rosa. We’ll pick names randomly, assembling bands made up of complete strangers—a singer, a drummer, a bassist, a guitarist, a singer, a keyboard player, a horn player, an accordionist, a rapper, a kazoo player… anything goes!
The bands will then have 24 hours together to get to work in the practice space, writing two original songs and learning one cover song, and returning to perform the very next night at the 2012 NorBays on July 14 at the Arlene Francis Center! Prizes will be awarded to the winning band.
Are you in? Of course you’re in. Sign up by clicking here!