Last night, at the otherwise awesome Ty Segall show in Santa Rosa, someone decided to tag the brick bathroom walls at the Arlene Francis Center with spray paint. It was a destructive and costly act, and one that local promoter and concert booker Jake Ward took offense to. Here, Ward writes and rants on why this vandalism is harmful not only to the venue, but to the Santa Rosa music scene overall. It’s a real and powerful wake-up call, and one that is worth reading in its entirety.
Well this is frustrating. Last night somebody vandalized the restroom of the Arlene Francis Center. I’m not even gonna address what they wrote, but I will say a couple things.
One, this is why we can’t have nice things. We live in a town where people complain about a lack of venues for cool music and art happenings, and yet when one of our few beloved local institutions for hosting events opens its doors to hosting an all ages rock show, someone goes out of their way to disrespect the space. How can we complain about the scene when we have no respect for it?
Two, this is brick. Brick is extremely porous. Spray paint on old brick does not come off easily. The only full time operators at AFC are in their 60s. Are they expected to clean this off? There’s also no surplus funds at this space to buy special cleaning products. This was super rude *and* destructive.
Three, this is not a punk venue, this is a non profit community center. The morning after the show this happened at, the classroom was rented out for a weekly event called Mini Music where parents bring their toddlers to learn to sing. There are all sorts of important political, educational, and arts activities happening at this space. Who really thought this was a place that deserved to be vandalized like this?
Prolific rock and roller Ty Segall just can’t stop. In addition to playing in excellent garage rock outfits like FUZZ and Sic Alps, Segall’s massive solo output has been a wide array of experimental hard rock.
This month, Segall releases his tenth solo record, Emotional Mugger, on Drag City. It’s a super fuzzed out and darkly glammed collection of awesome weirdness. And you can hear it now, before it’s Jan 22 release date, by clicking on the link below, via NPR.
Ty Segall will be in the North Bay next week as well, blowing the roof off the Arlene Francis Center on Sunday, Jan 24, with his new full band the Muggers. Details on that show, which marks the final concert hosted by Sonoma County’s Pizza Punx, are here.
Formed in 2001, Toronto hardcore punk rockers Career Suicide have carried a heavy brand of old school ’80s punk ethos to underground acclaim. Yet, the band has been rarely seen in the last five years and guitarist Jonah Falco has gone on to great heights as a member of the experimental punk band F*cked Up.
Last year, F*cked Up went on their own hiatus, and Falco has come back to his rough and rowdy origins with a revamped Career Suicide, including a new album in the works, their first since 2006. Last November, the band released “Cut and Run,” the first single off the so-far-untitled upcoming album. It’s an intense two minutes of razor-sharp riffs and pounding drums that prove the band still has a Hell of an edge.
Career Suicide are also embarking on a world tour that takes them from Bakersfield to Tokyo. And right in the middle of this tour, the band is bringing the amps and axes to Santa Rosa for a concert this Saturday, Jan 16, at the Arlene Francis Center.
Hosted by the saucy kids at the Pizza Punx, this eardrum-buster of a show also features Bay Area punks Culture Abuse, Ruleta Rusa, Ex-Youth and Abusivo. Tickets are ten bucks at the door and is open to all ages.
This is actually one of the last two shows the Pizza Punx are hosting under that name, as the moniker is being laid to rest in the new year. Some of the punx will still be booking shows as Shock City, and some will be taking on a new venue project simply known as Funhouse. Stay tuned for more details on those developments. In the meantime, listen to Career Suicide’s “Cut and Run” below and turn it UP.
Garage rock and glam pop songwriter Ezra Furman is a fierce and fearless indie music maker who’s been gathering steam for his irresistible tunes and infectious personality. His most recent release, “Perpetual Motion People” is as groovy as it is restless, as personal as it is catchy. And, Furman has also been making headlines lately for identifying as gender fluid. We last wrote about Furman’s awesome cover of the Replacements song, “Androgynous,” and we’re happy to have another excuse to highlight some amazing music once again.
That’s because, this week Furman is playing a last minute concert on Saturday, December 5, at the Arlene Francis Center in Santa Rosa, as part of a west coast tour. With Furman’s star shining brightly and musical momentum perpetually gaining speed, this might be the last time anyone will get to see the songwriter in such an intimate setting as this, and the rest of the lineup is fully stacked with local wonders. Music from the Corner Store Kids, Don Kennemer and Plastic Ghost joins a masked performance art piece by Quenby, comedic antics from Be The Clown, a gallery of works from local artists and Lagunitas beer on tap.
This is one not to miss. The show happens on Dec 5 at Arlene Francis Center, 99 Sixth St, Santa Rosa, 8pm, $12 suggested donation.
In the wake of the devastating Valley Fire that wreaked havoc on Lake, Napa and even parts of Sonoma County two months ago, community support has remained strong. One such support group is Love Lake County, who have helped organize relief efforts and events since September.
This weekend, Love Lake County hosts their next rocking charity event, with a gaggle of local acts taking the stage at the Arlene Francis Center in Santa Rosa to show support and gather funds for victims of the fire.
Santa Rosa rock band Girls & Boys will be bringing their energetic, power-packed music to the show. Currently finishing their sophomore album, Girls & Boys have been touring California the past year opening for Elvis Costello, Allen Stone, Goo Goo Dolls and Nicki Bluhm & the Gramblers.
The Corner Store Kids will also be on hand, offering their lo-fi funk and jazz jams to get the dance floor grooving. Finally, soul funk outfit Marshall House Project are going to rock the night away with their uplifting sounds.
All proceeds go to Valley Fire victims, so get out and show Lake County some love tomorrow, Nov 7, at Arlene Francis Center. 99 Sixth St, Santa Rosa. Doors at 6pm, music at 8pm. $10-$20.
If you were (or are) a fan of noise rock, you were (or are or should be) a huge fan of Hammerhead. The Minneapolis-based trio formed back in the not-so-halcyon days of 1991 and unleashed a flurry of pummeling rock and post-punk heaviness upon the country for six years before disbanding. Though, like a bad penny, the band turned up once again, regrouping in 2010. Since then, they’ve been expanding and compounding on their throttling experimental sound, and last month Hammerhead released, New Directionz, their first full-length album in almost 20 years.
New Directionz is one of those rare gems of a return album for a reunited band. It both revels in the same rumbling, punishing bass lines and searing, dissonant guitars of the group’s early days, and progresses the sound in new and interesting ways. There’s definitely more nuanced post-punk atmospheres throughout, a darker edge to the fuzzed-out noise, yet there’s still that old familiar thundering rhythm to bang your head along to.
Hammerhead continue to be unapologetic and awesome, and with the new record they are taking the show on the road for a massive tour with another immense figure in noise rock, Qui. The Los Angeles duo of Matt Cronk and Paul Christensen have themselves had a bit of an on-again-off-again tenure, though it looks like their as strong as ever these days. Much more angular, vocally-melodic and playful, Qui nonetheless possess a raw and exciting sound and provide a perfect alternative pairing to Hammerhead.
Next Saturday, Oct 10, Hammerhead and Qui both invade Railroad Square in Santa Rosa to play the Arlene Francis Center. Also joining them on the bill is Hot Victory, an experimental drum duo out of Portland that put on amazing, space-oddity shows and features former Santa Rosa rock star Caitlin Love (Desert City Soundtrack / the Lead Veins). Kicking off the night is Eat My Shit, the electronic solo project from PRIZEHOG’s Vern Acular.
You can get more details of the show here and preview Hammerhead’s new album below.
Arizona psychedelic rockers Destruction Unit are a no-holds-barred head trip through post-rock walls of sound. After two years of relative quiet, the pummeling five-piece outfit is back with the their most experimental brain melter of a record yet, Negative Feedback Resistor, due out Sept 18 on Sacred Bones.
In anticipation of the new album, Destruction Unit has released a few tracks via the world wide web, including this absolute scorcher of a song, “The Upper Hand.” In fact, this thing sound more like a punk rock cherry bomb, set off in the midst of a tornado, eclipsed by a tsunami swell of noise that washes over the whole thing by the end. It’s a monster, and it’s one of the band’s best ever. Listen here, if you dare.
The group is slated to hit European shores the same day the new record drops for a month-long tour, but before they embark, Destruction Unit is playing three dates in California, including a show hosted by the Pizza Punx on Thursday, Sept 3, at the Arlene Francis Center.
Also on the bill are Gag and White Wards, both Olympia, WA, bands that know how to thrash. Southern California weirdo punks the Coltranes and Seattle noisemakers Health Problems open the show.
Destruction Unit headline on Sept 3 at the Arlene Francis Center, 99 Sixth St, Santa Rosa. 8pm. $10.
The wildest variety show this side of the Golden Gate Bridge, the North Bay Cabaret usually hosts their monthly events at Santa Rosa’s Whiskey Tip, but this month the bands and burlesque dancers are storming another castle of sorts, when North Bay Cabaret comes to the Arlene Francis Center in Santa Rosa’s Railroad Square for their “Hot August Knights” show tonight.
Organizer and host Jake Ward once again gathers a troupe of belly dancers, artists, spoken word and standup performers as well as live bands and DJs in the lounge. This month’s theme incorporates all the RenFair goodness of medieval days, with just enough Monty Python thrown in for fun.
New this time, besides the location of course, is a lower age limit (18 and over) and high-flying aerial acts performed by Amanda Grace and Katie Nicole. They join Gypsy jazz troublemakers Hot Club Beelzebub and DJs Aspect McCarthy and True Justice along with others, soundtracking a night that also includes local poets like Susanne Dugan, William Lyon and even the AFC’s own Bruce Alan Rhodes.
There’s much more to be had at “Hot August Knights” tonight, so head on down and show Jake Ward, who just had his laptop stolen (boo!), some much needed love. Arlene Francis Center is located at 99 Sixth St, Santa Rosa. 8pm. $10.
Still not convinced? Check out the awesome trailer that Donald Husman put together.
We’re pretty stoked that after 3 years away, Jello Biafra and the Guantanamo School of Medicine are coming back to Santa Rosa’s Arlene Francis Center, appearing April 4. In the last year, the punk icon/outspoken artist and his band released their second LP, White People and the Damage Done, and the former Dead Kennedys front man has been getting punks into mosh pits around the world, from Coachella Festival appearances to tours in Australia and Europe. Now, Biafra returns with the help of Pins of Light, We Are the Men, and local favorite Jack Attack in reportedly his final performance ever. Absolutely not to be missed, tickets for the April 4 all ages show go on sale March 1. $15.
The cyclical nature of revolution songs is undeniable. Take a song from 100 years ago and it will be, at least in part, relevant today. Take, for example, the songs of Irish revolutionary James Connolly.
Mat Callahan, who fronted the San Francisco political punk/worldbeat band the Looters in the 80s, has compiled a book of Connolly’s music from original publications long thought lost to history. The book is put together well, with just enough history to give a sense of Connolly’s importance but relying mostly on the man’s own words from his music, all of which was written over 100 years ago. Connolly, a leading Marxist theorist in his day and was executed by the British in 1916.
Callahan and his wife Yvonne Moore, who now call Switzerland home, performed about a dozen songs on acoustic guitar and vocals at the Arlene Francis Center Friday night. The performance was the most punk rock thing I’ve seen all year, and will hold that title for at least a while. The duo sent a frozen shiver down my spine with lines like, “The people’s flag is deepest red, it shrouded oft our martyred dead; and ere their limbs grew stiff and cold, their hearts’ blood dyed its every fold.”
Santa Rosan Robert Ethington opened the show with original songs on acoustic guitar, accompanied by his wife Amy on vocals. They played a handful of powerful songs, suggesting they’d be a treat to see as a headlining act.
The album, “Songs of Freedom,” includes fully orchestrated versions of the songs Callahan and Moore played Friday night. It’s got Callahan’s worldbeat sensibility and arrangement, with guitar, bass, drums, Irish whistles, pipes, vocal harmony, fiddle, accordion and harp. The production is excellent, and the arrangements are updated to modern sensibility without losing their original feeling. Some tunes to Connolly’s songs were lost, so Callahan wrote original music to his lyrics. It serves to note that Connolly’s main purpose of putting these revolutionary words to music was for people to sing them and remember them, so many of the tunes are actually traditional country songs or somewhat hokey, simple melodies. They sound best when sung with 100 of your closest, most fed-up-with-the-system friends.
Get the book and CD here. It’s perfect for fans of history, revolution and Mat Callahan, each of which is equally important.