Bruno Ferrandis to Depart from Santa Rosa Symphony

Posted by: on Nov 24, 2015 | Comments (0)

photo credit: Clay McLachlan

Santa Rosa Symphony board president Sara Woodfield recently announced that music director and conductor Bruno Ferrandis will end his tenure with the Symphony when his contract expires at the end of the 2017-2018 season.

Ferrandis, only the fourth musical director in the Symphony’s 88-year history, plans to pursue an international role as a guest conductor.

Of the decision, Ferrandis said he hopes to conduct more opera, collaborate with contemporary composers and travel the world. He also thanked the community in Sonoma County for their “fabulous faith and support for the Santa Rosa Symphony over so many years.”

Highlights of Ferrandis’ time with SRS include the Symphony’s move to the Green Music Center’s Weill Hall in 2012. Also, in 2013, the Symphony was awarded an ASCAP Award for Adventurous Programming of Contemporary Music, in recognition of Ferrandis’ balance of traditional classic repertoire with newer works.

Woodfield also announced the Symphony’s board of directors will begin an international search for the next music director, with finalists conducting five of the seven classical concerts in the 2017-2018 season before Ferrandis leads the orchestra for the final two concerts, both of which are sure to be filled with personal favorites and emotional works.

Brothers Comatose Host “Comatopia” Music Festival

Posted by: on Aug 3, 2015 | Comments (0)

San Francisco string band the Brothers Comatose are beloved in the North Bay and beyond for their stirring original tunes and striking vocal harmonies. Formed four years ago by siblings Ben and Alex Morrison, the band imbues their traditional roots folk music with an infectious and accessible modernity that’s been drawing in crowds young and old alike. Already a mainstay on West Coast music fests and a headlining act in California, the Brothers this year have decided to take things to the hills and host their own festival in the Sierra Mountains. They’ve dubbed it “Comatopia.”

Taking place throughout the weekend of August 14-16, Comatopia is billed as a string summit at the Sierra Valley Lodge in Calpine, CA, about an hour north of Truckee. Joining the Brothers are a cavalcade of other Bay Area and North Bay folk, rock and jazz acts, giving the fest a versatile sound.

Comatopia kicks off on Friday, Aug 14, with headliners Hot Buttered Rum String Band joined by Steve Poltz and the Easy Leaves. Saturday, Aug 15, sees the Brothers Comatose headlining with support from the Sam Chase, Dixie Giants and Steve Poltz once again. Sunday, Aug 16, includes an All Star Bluegrass Jam in the afternoon with all the players taking part and getting down in the picturesque setting.

Comatopia takes place August 14-16 at the Sierra Valley Lodge, 103 Main Street, Calpine. $25 and up. 503.562.7051. Tickets are available now, with optional VIP, camping and room packages.

Apple’s iCloud Expected This Monday

Apple’s iCloud Expected This Monday

Posted by: on May 31, 2011 | Comments (0)

Just like all those shitty mall record stores like Musicland and the Wherehouse died, leaving only awesome tiny independent record stores and horrible Best Buy behemoths; just like music videos shown on cable rotation died, leaving only YouTube and 3D megaplex screenings; and just like the middle class in America has died, leaving only the poors and the well-to-dos; so dies any middle ground when it comes to music formats. You can either have your oh-so-physical in the form of 12″x12″ LPs—which has always been my choice, petroleum and all—or you can have no physical object whatsoever in the form of an mp3.

This Monday’s anticipated announcement of Apple’s iCloud service goes even further: your music collection won’t even take up any hard drive space. You’ll have nothing except a tether to your files, floating somewhere. In 2005 terms, we call this “YouTube,” where nearly every song ever recorded resides. How to spiff up this non-material concept is something I’m sure Apple will handle with trademark skill, but what interests me is that for perhaps the first time in the history of the music industry, a major corporation is going to be spending millions of dollars convincing the American public to buy nothing at all.