Amanda Palmer is a dark traditionalist. Staying close to the inherent “rock” values of authenticity and performance, her song writing is ingenious. Filled with melancholy playfulness and longing for human understanding, her music seamlessly shifts between genres. Happier songs are laced with synth pop and air pianos, somber ballads combine orchestras with horns and ukuleles. Most notably, Palmer’s performances always captivate the energy of the audience. With as much taking as she is receiving, Amanda’s intensity translates into exceptional stage presence.
On this occasion, a private audience of Kickstarter campaign donators and selected invitees joined fans from the press to take part in Palmer’s current six-city international tour. Stopping in Berlin, London and New York the circuit is promoting her new album “Theatre Is Evil”, out September 2012 on 8ft Records. The album has sold nearly 25,000 pre-order copies via the digital funding platform. With a sold-out show the following night, Thursday’s attendees experienced the exhibit in rare intimate format.
The art space at Public Works is a long, winding closet of a gallery. Stemming off the side of the two-story warehouse on the eastern edge of San Francisco’s Mission District, the venue has become the dernier cri for contemporary art and performance.