It was the fucking awesomest one-song set.
It was 11pm. Three bands had already played. I was planning on taking off to Sebastopol, had already said my goodbyes, and was literally halfway out the front door of the 600 House when Not To Reason Why started playing. Awww, shit. After the first couple notes, I was lured, like a magnet, back into the living room. How could I leave? When it comes to Not To Reason Why, you can’t even pretend like there’s an option. Just give in.
The Carlo Rossi was flowing. Fools were juiced. And if you’ve never heard them, Not To Reason Why are on some heavy-ass, pulsing, move-your-body epic-type tip. The song: “Zeitgeist.” The living room heaved, hands shot into the air, and the band played intensely, furiously, like it was the end of the world. Howls of joy. Heads shook in disbelief. Jessie Mae jumped up on top of an amplifier. For six sweet minutes, miracles came true.
Then the cops came.
People are always talking about how there’s nothing to do around here, but tonight was a pretty good example of why that’s untrue. Here it was, Thursday night of all nights, there’s a killer house party that gets busted by the cops and yet there’s still more to do. Juke Joint with J-Boogie. I headed west.
I pulled up to the Hopmonk Tavern a little before midnight and saw, I kid you not, a guy and a girl, standing and squatting next to each other in the parking lot, both talking to each other and pissing on the asphalt, simultaneously. Love works in incredible ways.
Inside, J-Boogie had just started his set with a megamix of Stevie Wonder songs—it being Stevie’s birthday—and the place was hopping like mad. Bodies on the floor, busting some serious moves. Breakdancers in the corner. Girls dancing on the stage. Again, the magnetic pull erased any choice other than to get down. Even the wallflowers were dancing in their shoes.
Out in the beer garden, I ran into a buddy of mine and asked him how, in his opinion, a small town like Sebastopol was able to so overwhelmingly support a night like Juke Joint. “It’s new,” he said, citing that everything fresh and hip has its initial glory period. Having worked at now-defunct Barcode in Santa Rosa, he could be said to speak from experience. “It’ll die down,” he predicted.
He could be right. But judging from last night’s huge crowd, and judging from the hypnotic spell J-Boogie had over everyone, it was hard to imagine an impending lull on the near horizon.
I’ve dug J-Boogie for almost ten years now, and the bulk of his set—after the Stevie Wonder tracks, and before the Motown / Atlantic megamix at the end—was a slick reminder of why he’s so great. Crazy, rhythmic grooves from all around the world; none of them recognizable, all of them dope. Also, J-Boogie’s one of the few DJs who can drop a long three-minute drum break with intros on the upbeat and full-on long paces of total silence and still keep the crowd not only moving but hollering with excitement. Hell yeah!
More photos after the jump.