It is becoming a decompression tradition to see Jane’s Addiction play Reno after Burning Man. Promoter Fresh Bakin’ has a talent for timing awesome parties. Last year, the band performed a sold out show following the ‘Burn’ and people were dressed to the nines in costumes still dusty from the Playa. This year, the show happened a week later so fewer Burners were still in town. And while a scant few could be picked out of the crowd, the sensation of settling back into the world was already in full effect.
Inside the glitz and glam of the Grand Sierra Resort and Casino, the Grand Theater is one of the largest showroom stages in the world. Tiered half-moon booths are lined with faux leather and floral upholstery and giant crystal chandeliers hang from 30 foot ceilings. With about ¾ of the venue filled, the venue was far from small but felt relatively intimate.
The band came on just before 10pm, opening with “Underground”, “Mountain Song” and “Just Because” before frontman Perry Farrell finally addressed the crowd. “You remember? Because I do! We were here the same exact time last year. I remember you!” He was dress in floral print and tuxedo pants that fell just above the ankles. It’s become a signature look for him, exposing a super tight washboard stomach. Farrell looks way healthier now than he did 20 years ago.
The greatest rock moment of recent memory has got to be Perry Farrell chugging a bottle of über-expensive Napa Valley wine on stage at BottleRock last May. His boozed-up theatrics shifted between social welfare rants and parading the stage with two talented, uummm, dancers. Aside from a few more shades of grey, Farrell, Dave Navarro and drummer Stephan Perkins, still look awesome. It’s been 25 years since Nothing’s Shocking (1988) and under those same power chords, their sound still flaunts Farrell’s ethereal voice over heady guitar breakdowns.
It is the weekend after Labor Day. Take advantage of the deserted tourist destinations and cruise up to Tahoe. Jane’s is playing in Reno at the Grand Sierra Resort and Casino on Monday, September 9th.
Even though the Casino seats 1,800, it wouldn’t be too far off to expect an intimate showcase. Jane’s Addiction has spent the summer touring with the Rockstar Energy Uproar Festival, sharing the bill with Alice In Chains and 11 other dark-alt-rock bands. But Alice won’t be appearing in Reno. The Casino gig is just a quick layover before the festival hits the Shoreline Amphitheater next Wednesday. (tickets here)
Check out their newest single, released this summer, vamping up the creepiness of online dating.
Here was the moment at the Courtney Love show last night, and it was brief: right after “Violet,” there’s the usual applause and all, but then it comes back, and surges into a roar, like the crowd all agrees to just cheer the shit out of Courtney Love for, I don’t know, being through hell, most of it self-inflicted, and being murdered by the media, and having her daughter taken away once or twice, and the Kurt thing, but living through it against the odds, and now, playing a sparsely-populated show in some fuckin’ chicken town, and showing up in a silver cutaway jumpsuit and bare feet and way-fake boobs and ratty blonde hair, and actually smiling while singing lines like “I always wanted to die”—and then, during this spontaneous burst of love from the crowd, Courtney Love, 49 years old, looks out into the Phoenix Theater, coyly grins, then visibly swells with gratitude, cocks her head and blows a kiss, serious as a heart attack.
You know how you see a band that’s famous for being sloppy, or mad at each other, or too drunk, but then there’s the one night they’re super tight, or just happy, or sober, and it’s like “THIS is what this band always could be but now finally, gloriously is“? That was Courtney Love last night at the Phoenix, accepting three bouquets of roses when she hit the stage, opening the set with “Plump,” screaming the lines “IT MAKES ME SICK” like the screech of a malfunctioning tractor and, at the end of the song, looking down at the monitor and telling the soundman: “I just blew a speaker.” (more…)
When listeners tune in to 95.9-FM tomorrow morning, they won’t hear Brian Griffith’s voice over the airwaves.
That’s because Griffith, who for six years has served as the morning host of the KRSH, was let go from the station today by general manager Debbie Morton in an early afternoon phone call.
“She said, ‘We’re making changes, and they don’t include you, and good luck, and we have a check for you, and we need your keys,'” Griffith said when I called him this afternoon.
This came as a surprise to the listeners who called me today, but did Griffith see it coming? “Sort of,” he told me. “The guy who owns the station, he doesn’t even live in the area. And the first time I met him, the first thing he said to me was, ‘I don’t get the KRSH.'”
According to Griffith, program changes were imposed that he didn’t agree with. “Over the last three months, they’ve just been yanking all my personality out of the show,” says Griffith, adding that he had “no input at all” in the music played on the show. He also lamented that the station playlist was recently cut down to just 800 songs by program director Andre DeChannes.
“The way that the playlist has been these last couple weeks,” he said, “I mean, I love Eric Clapton, but do we really need to hear ‘Lay Down Sally’ again? Do we really need to hear the Wallflowers again? Or the Counting Crows?”
Live segments and local bands were cut from mornings, too, he said. “And I complained,” the 20-year radio veteran told me. “I’ve been at it a long time, and I was vocal with my opinion.”
I sent Morton an email asking for an explanation about Griffith’s dismissal. She replied simply: “Management at Wine Country Radio felt that changes to The Krush morning show were long overdue.”
Morton also added that Bill Bowker would start as the host of the morning show early next week.
I called Bowker, who confirmed the upcoming move. “I haven’t done mornings for years,” he said. “Maybe it’s time for a little change here.”
Bowker will drop his afternoon time slot, which he’s held for as long as anyone can remember. As for morning show concepts, Bowker says he has some ideas percolating, “but this all just happened today,” he said, “so it’s too soon to say.”
No word on an afternoon replacement yet.
UPDATE — It’s 9:23 the next morning, and here’s what the KRSH is playing:
She started as a wave, rolling in from far out in the ocean. She built up steam and, halfway through the show, her jokes began to land with explosions of laughter. Anjelah Johnson is more than a one-joke pony–this California comedian’s built to last.
Slipping seamlessly between “normal” and her lovable ghetto gurrrl voiced-characters, Johnson was a quick study for the audience at Napa’s Uptown Theater last night. Some hilarious jokes were performed so quick and nonchalantly that the audience, largely unfamiliar with much of the culture she was referencing, probably would have laughed even harder had they grown up in a more diverse area. Her opening joke nailed this sentiment. “I’ve never been to Napa before,” says the Mexican comedian who grew up in San Jose before moving to Los Angeles. “I thought it would be more…” and she made a snooty duck face. You know, the ones on every teenager’s Facebook page, but influenced by a glass of wine and a sense of entitlement. Before anyone starts up the hate train, I stress that she said it wasn’t like that. Unbundle your undies, already.
I’m going to sandwich a bit about Kabir Singh’s set in the middle because I don’t want anyone to miss it. This Indian comedian opened the night with hillarious riffs on Indian culture, among other topics. He’s very loud and energetic and it’s tough not to like him. Besides that, his jokes are great. One of my favorites was Indians bargaining: “Even an Indian getting mugged would bargain. ‘I’m gonna shoot you!’ ‘Ok, buddy, how about you just stab me and we call it a day, huh?'”
Johnson recently married a Christian rapper, who was on hand to pose for pictures with everyone leaving the theater. If you search Instagram, just type “Anjelah Johnson’s hudband”–this will yield more results than his name, surely, which I still don’t know. Even though she once had a whole joke about the oxymoronic music genre that is Christian rap, Johnson (and her huge, sparkly diamond ring) seems quite happy with the turn of events. Her jokes about moving in and starting a life together were not as brutal as they could have been. Maybe her biggest peeve was her husband’s use, once, of her toothbrush. “I never even thought of that as an option,” she says.
Johnson mostly went with new material, but a few Raiderettes in the crowd, waving pom poms after the best jokes, caught her attention. She busted out some moves (she was a Raiders cheerleader in 2003 when the team went to the Super Bowl), and even made a Raiders joke (the punchline was, essentially, the Raiders). The Raiders fan in the front row could not argue, and even took off his hat in a moment of shame.
She saved her “hits” for the end, busting out the characters of Bon Qui Qui and the Nail Salon Lady while showing T-Shirts and even a 3-song rap CD featuring the characters. She rapped along with some of it over the sound system and said the idea was picked up by Atlantic Records and to expect a full-length effort soon. With all her skills (she’s a talented dancer, singer and rapper in addition to being ridiculously funny), it’s a wonder she hasn’t landed more movie roles or her own TV show (though she does a significant amount of voice acting). If this album news is true, it could be the crossover hit that cements her career. Hey, good music is good, and good music that’s funny is often even more entertaining.
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Fresh off a totally sold-out show at the Independent in July, ’90s icon and walking sociological experiment Courtney Love returns to the Bay Area for a show at the Phoenix Theater in Petaluma on Saturday, Aug. 24.
Those hoping to catch a trainwreck in action may want to consider that the widow of Kurt Cobain and public streaker has been getting pretty good live reviews lately, touring with a solid backing band. (Still, Phoenix booker Jim Agius says: “I understand and accept the risks completely.”)
It will be Courtney Love’s first time performing in Sonoma County since 1991, when Hole played a show at the SSU Duck Pond with Nuisance and the Fluid. (Yes, I still have the flyer.)
Tickets will be $35, and they go on sale tomorrow, Aug. 7, at the Phoenix Theater’s site.
Petaluma’s 2013 Rivertown Revival is slated to be its biggest party yet. Part music festival, part small town showdown, the festivities include zany art boat races, fancy old-timey costumes, and a huge array of local food purveyors to match. You can read up on the history of the event in our 2010 Bohemian feature article here.
The live music offerings include some of Sonoma County’s best talent, including 2013 Bohemian Nor Bay Award winners The Highway Poets (best rock band), Frankie Boots & the County Line (best country/Americana band), and a whole slew of nominees who are equally deserving of winning best band. Check them all out for yourself this Saturday with late-night after parties spilling into local restaurants and music venues.
The Rivertown Revival is this Saturday, July 20th from 11am-8pm, $5, babies free. Steamer Landing Park, 6 Copeland Street, Petaluma. no phone.
Sierra Nevada World Music Festival celebrated its 20th anniversary June 21st-23rd at the Mendocino Fairgrounds in Booneville. What an incredible party! Under the brilliance of a perigee full moon or “super moon“, at least 36 bands and countless artists performed during this year’s summer solstice festival. Check out these photos from the festival courtesy of Bulldog Media out of Windsor.
Trebuchet, one of Sonoma County’s most wonderful bands, is recording a followup to their self-titled debut album. Hopefully, this one will be filled with just as much reflective storytelling and beautiful vocal harmonies as their first effort. The 10-song full-length record will hopefully be released in the fall, says drummer and recording engineer Paul Haile, who was recording drum tracks in Santa Rosa today with bassist and guitarist Navid Manoochehri. Judging by the drum tracks, it sounds like this album will feature a larger sound, maybe with more punch and, if possible, even more emotion than the previous one.
It’s also supposed to hit 97 degrees today, so maybe the tracks recorded later in the day will be more subdued.
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