She started as a wave, rolling in from far out in the ocean. She built up steam and, halfway through the show, her jokes began to land with explosions of laughter. Anjelah Johnson is more than a one-joke pony–this California comedian’s built to last.
Slipping seamlessly between “normal” and her lovable ghetto gurrrl voiced-characters, Johnson was a quick study for the audience at Napa’s Uptown Theater last night. Some hilarious jokes were performed so quick and nonchalantly that the audience, largely unfamiliar with much of the culture she was referencing, probably would have laughed even harder had they grown up in a more diverse area. Her opening joke nailed this sentiment. “I’ve never been to Napa before,” says the Mexican comedian who grew up in San Jose before moving to Los Angeles. “I thought it would be more…” and she made a snooty duck face. You know, the ones on every teenager’s Facebook page, but influenced by a glass of wine and a sense of entitlement. Before anyone starts up the hate train, I stress that she said it wasn’t like that. Unbundle your undies, already.
I’m going to sandwich a bit about Kabir Singh’s set in the middle because I don’t want anyone to miss it. This Indian comedian opened the night with hillarious riffs on Indian culture, among other topics. He’s very loud and energetic and it’s tough not to like him. Besides that, his jokes are great. One of my favorites was Indians bargaining: “Even an Indian getting mugged would bargain. ‘I’m gonna shoot you!’ ‘Ok, buddy, how about you just stab me and we call it a day, huh?'”
Johnson recently married a Christian rapper, who was on hand to pose for pictures with everyone leaving the theater. If you search Instagram, just type “Anjelah Johnson’s hudband”–this will yield more results than his name, surely, which I still don’t know. Even though she once had a whole joke about the oxymoronic music genre that is Christian rap, Johnson (and her huge, sparkly diamond ring) seems quite happy with the turn of events. Her jokes about moving in and starting a life together were not as brutal as they could have been. Maybe her biggest peeve was her husband’s use, once, of her toothbrush. “I never even thought of that as an option,” she says.
Johnson mostly went with new material, but a few Raiderettes in the crowd, waving pom poms after the best jokes, caught her attention. She busted out some moves (she was a Raiders cheerleader in 2003 when the team went to the Super Bowl), and even made a Raiders joke (the punchline was, essentially, the Raiders). The Raiders fan in the front row could not argue, and even took off his hat in a moment of shame.
She saved her “hits” for the end, busting out the characters of Bon Qui Qui and the Nail Salon Lady while showing T-Shirts and even a 3-song rap CD featuring the characters. She rapped along with some of it over the sound system and said the idea was picked up by Atlantic Records and to expect a full-length effort soon. With all her skills (she’s a talented dancer, singer and rapper in addition to being ridiculously funny), it’s a wonder she hasn’t landed more movie roles or her own TV show (though she does a significant amount of voice acting). If this album news is true, it could be the crossover hit that cements her career. Hey, good music is good, and good music that’s funny is often even more entertaining.
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Fresh off a totally sold-out show at the Independent in July, ’90s icon and walking sociological experiment Courtney Love returns to the Bay Area for a show at the Phoenix Theater in Petaluma on Saturday, Aug. 24.
Those hoping to catch a trainwreck in action may want to consider that the widow of Kurt Cobain and public streaker has been getting pretty good live reviews lately, touring with a solid backing band. (Still, Phoenix booker Jim Agius says: “I understand and accept the risks completely.”)
It will be Courtney Love’s first time performing in Sonoma County since 1991, when Hole played a show at the SSU Duck Pond with Nuisance and the Fluid. (Yes, I still have the flyer.)
Tickets will be $35, and they go on sale tomorrow, Aug. 7, at the Phoenix Theater’s site.
Petaluma’s 2013 Rivertown Revival is slated to be its biggest party yet. Part music festival, part small town showdown, the festivities include zany art boat races, fancy old-timey costumes, and a huge array of local food purveyors to match. You can read up on the history of the event in our 2010 Bohemian feature article here.
The live music offerings include some of Sonoma County’s best talent, including 2013 Bohemian Nor Bay Award winners The Highway Poets (best rock band), Frankie Boots & the County Line (best country/Americana band), and a whole slew of nominees who are equally deserving of winning best band. Check them all out for yourself this Saturday with late-night after parties spilling into local restaurants and music venues.
The Rivertown Revival is this Saturday, July 20th from 11am-8pm, $5, babies free. Steamer Landing Park, 6 Copeland Street, Petaluma. no phone.
Sierra Nevada World Music Festival celebrated its 20th anniversary June 21st-23rd at the Mendocino Fairgrounds in Booneville. What an incredible party! Under the brilliance of a perigee full moon or “super moon“, at least 36 bands and countless artists performed during this year’s summer solstice festival. Check out these photos from the festival courtesy of Bulldog Media out of Windsor.
Trebuchet, one of Sonoma County’s most wonderful bands, is recording a followup to their self-titled debut album. Hopefully, this one will be filled with just as much reflective storytelling and beautiful vocal harmonies as their first effort. The 10-song full-length record will hopefully be released in the fall, says drummer and recording engineer Paul Haile, who was recording drum tracks in Santa Rosa today with bassist and guitarist Navid Manoochehri. Judging by the drum tracks, it sounds like this album will feature a larger sound, maybe with more punch and, if possible, even more emotion than the previous one.
It’s also supposed to hit 97 degrees today, so maybe the tracks recorded later in the day will be more subdued.
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Last night’s show at the Arlene Francis Center in Santa Rosa was a revelation. I thought punk was dead; turns out it’s alive, but it lives in Oakland and Mexico City.
On the hottest day of the year (103 degrees, for fuck’s sake), a bunch of punk bands and fans crowded into the even hotter Arlene Francis Center to “dance” to fast, loud rock and roll music. Dancing, of course, is subjective. Nobody complained about the heat, but shirts were removed (and, at times, pants). Some bands didn’t show up, some unscheduled bands did, almost everyone shared the same drum set all night (which, since I was running sound, I was fully on board with). Turns out most of the bands were from Oakland, and two were from Mexico City. So that’s where all the rock and roll was hiding.
Burger Records’ Pookie and the Poodlez started off in the café, with the underwear-clad front man screeching into a yellow telephone receiver living a second life as a microphone. This is the ‘60s, semi-surf punk craze all the kids are into now, with the grit and simplicity of the Ramones combined with the poppy harmonies of the Monkees. That front man was in four bands of the evening, including Elvis Christ, Cumstain and Primitive Hearts, covering vocals, guitar and drumming duties.
In Cumstain, the singer and drummer donned stockings over their heads, as if they were about to burglarize the crowd. The only thing they stole, however, was the show, as the crowd threw possibly half-full cans of Pabst at the stage in appreciation. Crazy antics and wearing a stocking on your head in 100-degree heat playing fast punk rock under stage lights for half an hour will do that.
And now for something completely different, in every sense of the word. We Are the Men took the stage next. This super-talented group of Bay Area natives played unclassifiable rock, possibly in the vein of Dillinger Escape Plan or Triclops, but with a hearty helping of what-the-fuck-is-this-music on the side. Lots of screaming, lots of dynamic and style changes mid-song, lots of catchy-as-fuck hooks that disappeared as quickly and mysteriously as they appeared. I liked them, I think. Judging by faces in the crowd, it seems like many had a similar opinion. I think.
Elvis Christ was led by a standup comedian in training, who yakked about half the time, and took a Pabst to the nuts for his troubles. All in good fun, because he was actually somewhat amusing, and the doo-wop punk rock was delightful.
Los Headaches, from Mexico City, came on at midnight after waiting the whole day for their 15 minutes, literally, of “fame.” Even at this late hour, there were a few stragglers still watching and dancing. The next band, which featured the same members plus one crazy ass motherfucker of a singer, played for 20 minutes immediately after.
I didn’t catch their name, they weren’t on the official flyer It’s Los Vincent Black Shadows – Thanks Sam). Holy shit. At 12:15am, this band pulled in a larger crowd just two songs into their set. The energy gave the crowd a second wind and stage diving, knocking over of instruments, heavy moshing (not that circle pit bullshit) took place. Their songs were in English (as far as I could tell, at least–he was yelling most of the time, sometimes with a microphone literally in his mouth), but it didn’t matter because punk rock transcends language. During one song, the singer repeatedly bashed his guitar, neck down, into the ground, then threw it across the stage and ran after it, like it had just stolen his wallet, and stomped on it to teach it a lesson. The guitar did not break.
Santa Rosa’s music scene is vastly differently from other parts of the Bay Area, as evidenced by this show comprised of bands from outside the area. Kudos to Jake Ward for organizing the show, which also had a barbecue and awesome looking stage. Here’s to more traveling bands coming to one of the few venues in greater Sonoma County supporting music as more than just a moneymaker.
Les Claypool’s soft spot for fishermen extends beyond his 1991 ballad “John the Fisherman,” an epic tale of oceanic adventure from “Sailing the Seas of Cheese.” The Primus frontman is playing a benefit concert with his Duo de Twang at Lagunitas Mini Amphitheater Tuesday, June 25.
It’s a treat to see Claypool in such a small venue, and Lagunitas is a great place to see a band. Good beer, good food and an inviting atmosphere make for a memorable experience. And this time, it’s for a good cause. On March 1, local fisherman Ted Frank’s 36-foot boat, Yardbird, sank in 60 feet of water just outside Bodega Bay. He had let his insurance lapse because of recent hardships, and was left with a huge salvage bill, a totaled ship and no way to earn a living. It’s hard enough to make money as a commercial fisherman, but setbacks like this make it almost impossible.
That’s where Claypool comes in. He’ll be slappin’ da bass (a dobro bass, at that) at 5:45pm, with dinner beginning at 4:20pm. Bad Catahoula is also playing, as well as other musical guests. Tickets are $50 for the concert or $75 for dinner and concert. Lagunitas is located at 1280 N. McDowell Blvd, Petaluma.
This video is great. First of all… Larry Lalonde has purple hair. Secondly, dig that Mike Patton haircut on Les (or did Mike have a Les Claypool haircut?). And can you spot Metallica guitarist Kirk Hammett?
After several times trying to connect with Santa Cruz reggae rockers, Thrive, I had all but given up on our scheduled interview. It was Day 2 of Cali Roots and text messages aside, I figured there wasn’t much hope linking up with all the activity going on. Until that is, I ran into lead singer Aaron Borowitz hanging out backstage covered in a bunch of ladies.
Thrive has performed at every California Roots Music & Arts Festival since it’s inception. They have been representing their adopted Santa Cruz and now managed by festival co-producer Dan Sheehan, the band is touring non-stop. Thrive just dropped their new album Relentless, so I wanted to find out what its been like on the road.
Bohemian: Tell me about Cali Roots, are you enjoying yourself?
A.B.: Everyone has been really nice and everywhere I go people are smiling back at me.
How did you feel about your show?
Oh man, it was so awesome. That was one of the funnest shows I’ve ever played, personally. Not necessarily the musicality of it, but the vibe in the crowd.
Did you see a difference within the crowd? There are a lot of people up here from So Cal.
Yea, I see a difference in the people, but I see a connection in the message. It’s positive and everyone just wants to chill, no bad vibes, no fighting. (more…)