Santa Rosa Symphony board president Sara Woodfield recently announced that music director and conductor Bruno Ferrandis will end his tenure with the Symphony when his contract expires at the end of the 2017-2018 season.
Ferrandis, only the fourth musical director in the Symphony’s 88-year history, plans to pursue an international role as a guest conductor.
Of the decision, Ferrandis said he hopes to conduct more opera, collaborate with contemporary composers and travel the world. He also thanked the community in Sonoma County for their “fabulous faith and support for the Santa Rosa Symphony over so many years.”
Highlights of Ferrandis’ time with SRS include the Symphony’s move to the Green Music Center’s Weill Hall in 2012. Also, in 2013, the Symphony was awarded an ASCAP Award for Adventurous Programming of Contemporary Music, in recognition of Ferrandis’ balance of traditional classic repertoire with newer works.
Woodfield also announced the Symphony’s board of directors will begin an international search for the next music director, with finalists conducting five of the seven classical concerts in the 2017-2018 season before Ferrandis leads the orchestra for the final two concerts, both of which are sure to be filled with personal favorites and emotional works.
New York City songwriter Matt Bauer just released his latest, Dream’s End, an enchanting album of orchestral folk and acoustic rock. And he’s celebrating with a west coast tour that wraps in Sonoma this weekend.
In the tradition of old-fashioned folk laments and murder ballads, Dream’s End is a head trip of lyrically fragile and musically melodic songs, like the lead single “I Am Trying to Disappear.” While Bauer assembles a more sonically diverse palette for this conceptual effort, it’s his emotional depth that again lays a strong foundation for his striking and often stark arrangements.
On Sunday, November 22, Matt Bauer will be in Sonoma, performing at a house show. Write [email protected] for details, and listen to “I Am Trying to Disappear” below.
The monthly North Bay Cabaret always brings a new, distinct flavor to their ongoing variety shows, incorporating themes that range from Renaissance Fairs to David Lynch’s Twin Peaks in their imaginative array of burlesque dancing, live readings, standup, acrobatics and more.
This weekend, the Cabaret busts out the tanning spray and tank tops for their upcoming “Brovember” event that features everything from a special beer pong burlesque to a “bro” puppet show, fashion show, fire dancing, slam poetry and music.
Recent NorBays Music Award winner DJ Beset is the special guest in the Vinyl DJ Dance Room, and San Francisco’s Riflefeet bring an electronica backdrop to the main room. As always, the entire thing is hosted by the ultimate “Bro,” Jake Ward.
Now, remember haters, this is a satirical show, so bring a sense of humor when you “bro down” with the North Bay Cabaret on Friday, Nov 20, at Whiskey Tip, 1910 Sebastopol Rd, Santa Rosa. 7pm. $10. 21 and over. Details and lineup are here.
If you’ve seen the massively-long 1984 film “Amadeus,” you know a few things about classical Austrian composer Wolfgang Amadeus Mozart. You know he had a shrill laugh, you know of his extensive collection of powdered wigs, and you know that the young musical mastermind died before he could finish his “Requiem Mass.” And, while that film took equally massive artistic liberties, the story of Mozart’s most infamous unfinished work still captivates audiences worldwide for it’s musical wonders as much as its mythical background.
While Mozart died with the Requiem very unfinished, fellow composer Franz Xaver Sussmayr, who was an assistant to Mozart and reportedly discussed the work with him before his death, offered a completed version of the Requiem that has long been the closest the world has gotten to Mozart’s masterwork. This weekend, the long-standing Sonoma Bach Choir, led by retired Sonoma State University professor Robert Worth and joined by the Live Oak Baroque Orchestra, will present an interesting dual concert titled “Mozart Requiem: The Story of a Masterwork.” The ensemble will tackle first the Requiem just as Mozart left it, before returning to the full work as completed by Sussmayr.
Before each of the two weekend performances, Worth will present a pre-concert talk that fully explores the controversial history of, and compositional significance to the Requiem. The Sonoma Bach Choir performs the masterwork on Friday, Nov 20, at St Andrew Presbyterian Church, (16290 Arnold Dr, Sonoma. 8pm, $15-$25) and then again on Sunday, Nov 22, at St. Vincent de Paul Church (35 Liberty St, Petalum. 7pm. $15_$25). Pre-concert talks begin 35 minutes before each performance. Tickets and details are here.
Sonoma’s 1955 are a sauntering garage rock trio who excel at slick throwback riffs, addictive hooks and smart songwriting. Formed in 2012, the band is made up of Sasha Papadin (lead vocals, guitar), Kieran Maloney (drums) and Dane Gaffney (bass); and their musical output thus far has been defined by high energy and hot licks.
This week, 1955 unveiled a new music video for their hand-clapping, toe-tapping single, “Glory Days.” Set in the sweltering heat of Palm Springs and directed Papdin’s brother William, the video is inspired by the visual aesthetics of one of the band’s favorite movies, “Sexy Beast,” and shines with a sunny, ultra-cool vibe that matches the colorful tune perfectly.
Currently on the road, the band plays Los Angeles tonight and San Francisco on Nov 20. Get the details here.
The Last Poets are rightly called the godfathers of hip-hop. Formed in the late ‘60s and still very active today, the spoken word group first put rhythm to their politically-charged poems in the aftermath of the Civil Rights movement, inspiring a generation to use their voice and their words as tools of social justice.
This weekend, the Last Poets appear in a daylong spoken word workshop, showcase and performance at the Phoenix Theater in Petaluma, as a fundraiser for local radio station KWTF. In the Bohemian this week, we profiled the group and spoke with founding member Abiodun Oyewole by phone from his home in Harlem. Here is our full interview.
Bohemian: How did you first get into poetry and form the Last Poets?
Abiodun Oyewole: I got into poetry because when I was a teenager in high school, I had a liking for older girls, and when I was 15 I started getting into writing poetry to win the favors of some of these ladies.
I remember my teacher had given us an assignment to write sentences with new vocabulary words. I went to my teacher, Mrs Carpenter, and I said, ‘If put these words into a poem, can I get an extra credit?’ and she looked at the words and said, ‘If you can put these words in a poem together and make sense, I’ll give you two extra credits.’ So that was the time I wrote a poem seriously. When my teacher read the poem, she looked at me and ‘You are a poet, I don’t know what you’re going to do with it, but you have quite a gift.’
I started getting into poetry seriously when they killed Dr King. Dr King was killed April 4, 1968. And when King was killed I really kind of lost my mind, because I felt it was such an insult to black people. He was representing us, and he was nonviolent. I just felt totally offended by that.
I had a friend named David Nelson, and he made mention of the idea of starting a group of poets that would be from different walks of life, and would be an example to black people as to how much we need to come together. No matter what our particular persuasions in life are, we have the same foot on our necks, and we need to unify to get the foot off.
Brooklyn punk rockers The Nuclears are a power pack of long hair, leather jackets, cool shades and good times. Their blistering throwback punk riffs and blazing guitar solos make them an instant hit at clubs around their native New York City, and tonight the the Nuclears are cranking up the amps at the Forestville Club as part of a national tour.
The group’s last album, 2014 album, This is How We Party, gives Andrew WK a run for his money, with a blend of positive vibes and great songs that flash back to the Ramones and Stooges while keeping things fresh and fun in the here and now.
Hopefully, the Forestville Club has plenty of Rolling Rock beer stocked for the show tonight, when the five party animals that make up the Nuclears get loud and rowdy, 6250 Front St, Forestville. 8pm. $5.
In the wake of the devastating Valley Fire that wreaked havoc on Lake, Napa and even parts of Sonoma County two months ago, community support has remained strong. One such support group is Love Lake County, who have helped organize relief efforts and events since September.
This weekend, Love Lake County hosts their next rocking charity event, with a gaggle of local acts taking the stage at the Arlene Francis Center in Santa Rosa to show support and gather funds for victims of the fire.
Santa Rosa rock band Girls & Boys will be bringing their energetic, power-packed music to the show. Currently finishing their sophomore album, Girls & Boys have been touring California the past year opening for Elvis Costello, Allen Stone, Goo Goo Dolls and Nicki Bluhm & the Gramblers.
The Corner Store Kids will also be on hand, offering their lo-fi funk and jazz jams to get the dance floor grooving. Finally, soul funk outfit Marshall House Project are going to rock the night away with their uplifting sounds.
All proceeds go to Valley Fire victims, so get out and show Lake County some love tomorrow, Nov 7, at Arlene Francis Center. 99 Sixth St, Santa Rosa. Doors at 6pm, music at 8pm. $10-$20.
Mixing music and art with wellness, the O+ (O Positive) Festival hits downtown Petaluma this weekend with spirited concerts, art exhibits and community togetherness. The idea behind this fest, which also takes place annually in Kingston, New York and Chicago, Illinois, is that participating artists, musicians and volunteers exchange their contributions in return for wellness services from art-loving doctors, dentists and other practitioners.
Run by local Petaluma business and gallery owners, the O+ Festival kicks off on Friday, Nov 6, with a concert by Bay Area garage jazz band Invisible Cinema, happening at the Prince Gallery. It continues through Saturday with live art and all-day shows taking place around Putnam Plaza in downtown Petaluma. Slated to perform this year are local favorites like Lauren Ashley Brown, Royal Jelly Jive and Rainbow Girls.
Festival goers will need to have a O+ wristband to enter the Kick-Off Party and concerts at The Big Easy. Outdoor events in Putnam Plaza and American Alley are free and open to the public. This year, wristbands will be complimentary but with a suggested $10 donation.
For more information, click on the festival’s website here.
It’s been years since we’ve heard from Charley Peach, the high energy and melodic rock band fronted by vocalist Kaylene Harry and guitarist Justyn Delbridge, and maybe the name doesn’t ring any bells for newcomers to the music scene. But, that’s all about to change.
From their Facebook page, the newly resurrected and reinvigorated Charley Peach last month announced a new show and new songs coming our way.
It’s been a looong time since you’ve heard anything Charley Peach related, but we’re back from the dead! We’re doing our first show in years and we would love to see you! Also, this is NOT a one off kind of thing. We’ve been jamming for the last few months, and already have a handful of new songs to add to the old ones.
Charley Peach make their return to the stage this Friday, Nov 6, at Whiskey Tip in Santa Rosa. They split a bill with Santa Rosa’s Become the Villain, a solo indie rock project from songwriter Neem Wood that’s recently seen new life as a full band. Santa Rosa alt-rockers the Tioxxaa open the show.
Before hearing Charley Peach’s new batch of songs, go on a trip down memory lane with some of their excellent older material here.