Today the Wells Fargo Center for the Arts in Santa Rosa announced two new exciting shows for September, including the first show to utilize the venue’s new flexible theater space. Last year’s $3.3 million renovation allows main floor seats to be removed, creating an open-floor venue that allows for an increased variety of performances. In this configuration, the venue’s capacity increases from 1,681 to 2,023.
Appearing on Saturday, Sept. 20, is Grammy Award-winning singer and songwriter Colbie Caillat. Then, on Tuesday, Sept. 30, rock band O.A.R. (Of A Revolution) makes their Santa Rosa debut and transforms the theater into the new open-floor design. With an intense and exciting live show, O.A.R. is the perfect act to debut the venue’s new look.
Tickets for Colbie Caillat are $59 and $49 (all seats reserved) and tickets for O.A.R. are $59 in the reserved balcony and $49 for general admission (standing) on the main floor. Tickets for both shows go on sale Friday, July 25 at noon and will be available online at wellsfargocenterarts.org, by calling 707.546.3600, and in person at the box office at 50 Mark West Springs Road in Santa Rosa.
“Weird” Al Yankovic is turning into a fantastic insult comic.
He has released two videos so far from his latest album, “Mandatory Fun,” and aside from being spot-on parodies of two of the most popular songs of the year, they are beautifully dickish in an inarguable way.
“Tacky,” a riff on Pharrell’s “Happy,” highlights the terrible fashion trends of Crocs, stripes and plaid, and the idea of taking selfies with the deceased at a funeral. The video features several comedians, mostly notably Jack Black, who is tacky defined with his high-waisted pants, rhinestoned fanny pack and obsessive twerking. It does such a good job of pointing out the stupidity of all these actions and looks, that anyone finding themselves associated with anything mentioned in the song should feel immediate and extreme shame. Then never do that thing again.
“Word Crimes,” a take on Robin Thicke’s “Blurred Lines,” is basically Yankovic being a grammar Nazi. Dangling participles and contractions aside, he belittles those who use numbers for letters and single letters for full words (unless you’re Prince). It’s sweet release for that inner word cop that wants to spring out and beat the mob of uneducated slobs senseless with their own words. Yankovic has saved us much embarrassment and heartache.
The videos are part of his 8 videos in 8 days project, which in itself is a riff on Beyoncé’s latest release. Bey put out an album of 15 songs and 17 music videos available only on iTunes in December, with complete secrecy before its release. It sold a million copies in less than a week. Yankovic will release a full album in physical form, but has hinted that this album, the last under his current record contract, might signal a change. He says on his blog that he’s “weighing his options.”
Here’s hoping those options include a deeper delve into insult comedy.we
He’s got a winning smile and a wicked voice, and this month Chris Isaak shares both with the North Bay. The Stockton-born, Roy Orbison-obsessed songwriter is best known for his definitive song, “Wicked Game,” and for his appearances in cult classic movies. Now, Isaak brings his award-winning croon to the Wine Country, performing at Rodney Strong Vineyards on Sunday, July 13 at 4pm. Tickets are still available, grab them before they go.
The Napa music festival will return in 2015 again as a three-day festival, May 29–31. It will again take place at the Napa Valley Expo, according to an official statement made today by Latitude 38 Entertainment, the festival’s producers. Bands have not yet been announced.
“We’re thrilled to be back at the Napa Valley Expo with the support of our community of music, wine and food lovers for 2015,” says L38 CEO Dave Graham in a press release.
The festival mostly cleared its name this year after a fun-filled first year took a nasty turn after the founders failed to pay nearly $10 million in debts after the five-day event. They sold the brand to the new owners, who hosted the event with just three months of planning and addressed nearly every complaint of the previous festival. Many vendors returned after cajoling by the new owners, and the only major issues seemed to be the exit line on the festival’s second day, owing to about 35,000 fans trying to exit to shuttle buses at the same time.
One of the most powerful voices on Broadway and beyond, soprano singer Sarah Brightman has unfortunately been forced cancel her August U.S. tour, which included an appearance at the Green Music Center’s Weill Hall. From her website:
“I have suffered a hairline fracture to my ankle and have been advised by my doctors to rest it until September by which time it will have fully recovered. I have, regrettably, taken the decision to cancel my forthcoming US dates in August. I truly apologise for any disappointment caused.” -Sarah Brightman
No word on rescheduling yet, as the performer focuses on recovery.
Nestled in the Sonoma Valley’s beautiful Gundlach Bundschu Winery, the 2014 Huichica Music Festival was highlighted by fine wine, warm weather and excellent music. Friday nights kick-off was a nice concert headlined by Vetiver, though Saturday was the real spectacle, with two stages hosting a dozen artists from the Bay Area and beyond. There were young up-and-comers, established favorites and even a few veteran folk artists for good measure. Click to read on and check out the photos below:
Slow Gherkin was one of the best ska bands at a time when fellow skankers the Mighty Mighty Bosstones, Less than Jake, Goldfinger and Reel Big Fish were all over the airwaves, both on radio and television (remember when MTV shows music videos?). They were one of the top acts in the Bay Area, relentlessly touring for six years and gaining a following across the country as well as in Europe throughout the ’90s. “Trapped Like Rats in Myers Flats,” from their second album, Shed Some Skin, is still a singalong hit, as shown by their sold-out New York performance. And to this day, their version of Hava Nagila is one of the best tracks on my “These Songs Will Make Everyone Dance” playlist.
They wrote really good songs, not just fun, dancy teenage punk diddies with poppy, upstrummed guitar. If stripped down to acoustic guitar and voice, they’d be the best song of the night at any cafe’s open mic session. Their lyrics are deep and music moving; songs stands up to any by those who made it really big, and it always felt like it would just take that one catchy lick, that one un-erasable melody to cement Slow Gherkin’s place in music lore.
But, alas, they remain mostly a local memory for Bay Area music lovers who grew up in the Clinton era. Do these two shows in one year—double what they’ve played in the 13 years leading up to this point—signal a full-fledged reunion? One can only hope. But one thing’s sure: if you plan to attend their December show at the Phoenix Theater, it might be good to start polishing those Doc Martins now—they’re probably pretty dusty.
The three-day extravaganza known as Bottlerock began today in Napa, the city known more for restaurants and winetasting than music. To wit, the festival, now in its second year and under new ownership, has focused more on music this year—in addition to bringing internationally famous acts like the Cure and Outkast to Napa, there will also be over two dozen local bands playing at the festival, meaning that over one-third of the bands playing will be from the Bay Area.
This isn’t a new idea—local acts were featured at last year’s festival—but there are more of them this year, and it’s more than just an afterthought. Latitude 38, the company behind this year’s Bottlerock festival, says including local bands was the plan from the start.
“A lot of people didn’t know there were a lot of bands in Napa,” says Latitude 38 CEO Dave Graham. He says they’ve made a new tradition of kicking off the festival with a local band on the main stage. This year, it’s the Napa–based group Grass Child.
On Saturday, the first band to strum a chord, pluck a note, or bang a drum will be local favorites Trebuchet, the indie-folk quartet known for its original songs with glorious harmonies and wide-ranging instrumentation. They’ll be playing on the City Winery Lounge stage at Noon, greeting attendees just inside the main entrance with their explosive tunes and catchy melodies.
The opening slot at a festival is a blessing and a curse. “We don’t have any headliners to contend with,” says Eliott Whitehurst, the band’s mandolinist, guitarist and lyricist. “But at the same time, it’ll be a challenge because we’ve never been in that situation where it’s like, ‘Oh, look there’s all these people,’ and they continue to walk by.”
Whitehurst, who lives in Napa, says he is excited for this year’s festival—not in the least because he’ll be playing in it, but also because the concerns of last year are being mitigated. “Last year, we actually got out of town,” he says. “People in Napa were of one of two minds: either this is going to be awesome… or oh my god, we do not have the infrastructure to handle what is going to be thrown at this city.” With a festival expecting 30,000 people per day for an entire weekend, in a city of 78,340, that’s to be expected. Though he’s sure there will still be challenges, Whitehurst says, “I’m not as afraid of it this year as I was last year.”
Local acts playing in the festival come from as far away as San Francisco, and Whitehurst says about 150 bands sent entries to Thea Whitsil, who also organizes the annual Napa Porchfest, to fill 32 spots. Instead of having an “in” or being owed a favor, as is the case when so many bands are booked for a festival like this, Trebuchet and the other local acts were picked on merit. “That’s why we’re so stoked on it,” says Whitehurst, who knows the industry well, coming from a musical family.
The group made a one-shot montage video as an homage to the big names at Bottlerock, rearranging pieces of about a dozen songs into their own style. It was a hit—garnering over 1,200 Youtube views in just over two weeks. “It didn’t take us too long,” says Whitehurst. “We practiced for a day and maybe did 10 shots of us doing it live.” The festival is filled with nostalgia for those who grew up with the soundtrack of the ‘90s. Whitehurst is no exception. “I can’t deny how fun it will be,” he says. Outkast and Weezer will be great, and, because they’re a sure-fire way to heat things up, he’s also stoked to see Blues Traveler.
Welcome to Bottlerock, 1999! The Napa music festival announced the lineup for its second annual concert, and it’s full of ‘90s nostalgia. Weezer? LL Cool J? Outkast? Ok, I get those, but Third Eye Blind? Barenaked Ladies? Smash Mouth? That’s where I’m lost. I mean, Smash Mouth actually played at the Sonoma-Marin Fair three times in the past eight years. At least Bottlerock didn’t book Tower of Power and Elvin Bishop (nothing against those excellent groups but they play the fair every year, too). Want more ‘90s? Blues Travelor. De La Soul. Spin Doctors. Gin Blossoms. Camper Van Beethoven. Oh, how I wish I were making this up.
The Cure is also headlining, as is Heart. So there’s some ‘80s love being spread around, too. But these old-school bands are being placed alongside hip, young acts like Robert Delong, Empires and Deerhunter. Shoutout to Moonalice for representing the North Bay, maybe they’ll challenge Matisyahu, Sublime with Rome and Tea Leaf Green for the most smoke-filled stage. Oh, and country star Eric Church is the other big name, here. Robert Earl Keen is also playing. Diverse, indeed.
There’s still “more to come,” but I can’t imagine any huge names being announced. Spread out over three days, this will make for an interesting concert. Three-day passes are $249, and will rise to $279 soon. Single-day tickets are not yet on sale, but when they were available last week (at a discounted Napa residents price), they were $129.
As for this little gem, you’re welcome.
The full lineup, mostly for SEO purposes:
Camper Van Beethoven
De La Soul
Hurray For The Riff Raff
Karl Denson’s Tiny Universe
Keep Shelly In Athens
LL Cool J
Matt and Kim
Robert Earl Keen
Sublime with Rome
Tea Leaf Green
The Black Angels
The Stone Foxes
Thee Oh Sees
Third Eye Blind
Frank Hayhurst, Francis Rico, the Zone Music guy; no matter how you know him, you probably know him as a good guy who doesn’t think twice about helping out musicians in need. Now that he can use a little help, he’s asking for it in the most fun way imaginable: by hosting a barbecue with over a dozen musical acts.
Hayhurst, who owned the landmark Cotati music store Zone Music for over 20 years and started the nonprofit Musicians Helping Musicians Foundation, recently underwent successful hip surgery. He feels great now, says the musician-shaman-author, but as anyone who has spent time in a hospital bed knows, medical bills can be staggering, even with insurance covering most of the tab. And this event is just $10, with food options by Rasta Dwight’s BBQ from $5–$15 and beer from Lagunitas available, too.
Musicians include: Gator Nation, Uncle Wiggly, Danny sorentino, Levi Lloyd, Onye Onyemaechi, Sarah Baker, Allyson Page and many, many more, including the legendary Bronze Hog. Frank Hayhurst’s Hip Trip goes down Sunday, March 23 at the Sebastopol Community Center. 7985 Valentine Ave., Sebastopol. 5–9:30pm. $10.