Plastic Graduation

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I hate to be the one to point this out, but environmentally speaking, our Sonoma County school systems are very dysfunctional. At a time when the worlds’ oceans are filling up with plastic, our local schools are teaching their students to use even more plastic.

Last week I just happened to be working on a house directly across the street from a Petaluma elementary school that was having their graduation ceremony the same day. I couldn’t help but notice the massive amount of plastic balloons and streamers on display on the school grounds and on the exteriors of vehicles. I decided to keep an eye on the pavement that day to see if they would be leaving any trash on the ground afterwards. Indeed they did, and since nobody associated with the school thought it was important to be concerned with such matters, I picked up the trash myself. 

I asked myself the obvious question which was, if I saw one piece of trash myself, then how many other pieces of plastic trash were generated by that event in the area that I did not see that are on their way to the ocean even as this letter is being read? I figure there are probably at least 10 pieces of plastic from that one graduation ceremony that I did not see that nobody else ever bothered to pick up. So let’s do the math on that. California has a total of 10,315 schools.  If each school drops just 10 pieces of plastic on the ground at their graduation ceremonies, that means that all of those graduation ceremonies are dumping over 100,000 pieces of plastic into the ocean each year, just from California.

In order to affect a change on this issue personally, I will be contacting the local school systems to inform them that until I see two or three consecutive years of plastic-free graduation ceremonies, I will be voting NO on any initiatives involving teacher pay raises or school-bond issues. I suggest everybody else do the same.

If we are not going to fix our dysfunctional local governmental systems, let’s at least fix our dysfunctional local school systems, OK?

Doug Haymaker lives in Santa Rosa.

Local Importance

Mill Valley has a mayor who just doesn’t get it. This was crystal-clear at the gathering in the town plaza on June 4, when Sashi McEntee once again tried to hide behind a technicality to excuse her stunningly dismissive assertion that showing that Black Lives Matter is “of no immediate local importance.” Yes, that’s out of context; and no, there is no context that makes it acceptable.

Whether or not McEntee remains in office, we in the local community need to look long and hard at ourselves. How did someone with such a narrow view of her responsibility as a leader, and such an apparent inability to hear community voices, get elected in the first place? A number of people have said on social media that they know and like McEntee—great, but that’s changing the subject. She was elected to serve, not as a friend, but in public office. We need to pay attention to local elections, and we need to elect leaders who want to grapple with the issue of police discrimination and violence against Black people—which is of great daily relevance in Mill Valley, and to every single one of us. 

Anne-Marie Harvey

Mill Valley

Public View

It’s so unbelievable that they would treat people in this manner (“Masks Off,” June 6)! The Santa Rosa PD members should all read this article so they can see how they are portrayed to the public—as people who think that the people they arrest are not worthy of their basic respect. The behavior reported here is abhorrent!

Amity Hitchkiss

Santa  Rosa

Delivering food security

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If we want to be a community ready for transformative change, we can begin making it happen by listening to what people actually need, and then responding. 

Sonoma County–based Daily Acts and The Botanical Bus: Bilingual Mobile Herb Clinic are doing just that. They have distributed over 1,000 garden kits in the past weeks to Latinx community members experiencing food insecurity in Sonoma County. 

“Mother Earth feeds us with her fruits and vegetables and heals us with her plants,” says Maria de Lourdes Pérez Centurión, Promatora with The Botanical Bus. “It is impossible to live without them.”

Partnering with Graton Day Labor Center, La Luz Center and CAP Sonoma at their existing resource distribution sites, The Botanical Bus, Daily Acts and the United Farm Workers delivered the garden kits with essentials for growing food anywhere. Kits include potting soil from West Marin Compost and Grab N’ Grow Soil Products; seeds from Mercy Wellness and Sonoma County Climate Activist Network; plant starts of various edible and medicinal plants culturally relevant to the Latinx community from Shone Farm, Petaluma Bounty, The California School of Herbal Studies and Occidental Arts & Ecology; GeoPot Fabric Pot planters from Left Coast Wholesale, medicinal teas from Traditional Medicinals and Tadin and a packet of bilingual educational gardening resources. Starts include organic corn, tomatoes, tomatillos, chile, squash and medicinal herbs.

Additionally, the organizations are coordinating with Santa Rosa Garden company Avalow to build, fill and plant two raised beds for community gardening at La Plaza, a Latinx Cultural and Wellness Center in Santa Rosa.

“We believe the Covid-19 gardening movement is rooted in a deep human instinct to nourish ourselves through connecting to earth,” Joceyln Boreta, co-founder of The Botanical Bus, says. “As we touch soil, tend plants and grow food we reclaim our power to nourish ourselves and our communities.” 

The distributions are part of Daily Acts’ Be the Change campaign in which citizens take personal action to build community resilience. At Daily Acts’ website, people can pledge their actions to Grow a Garden, Practice Self-Care, Save Resources and/or Build Community. Daily Acts offers instructive resources, video content and webinars to support these actions. Along with partners from Petaluma, Cotati and Windsor, Daily Acts tracks the overall impact from this campaign, with a goal of 5,000 actions pledged to demonstrate that our community is ready for transformative change and is making it happen.To pledge your actions, visit https://dailyacts.org/bethechange. To fund a garden kit for a community member, visit: https://thebotanicalbus.org.

Anti-Racist Reads

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As street protests against police brutality continue, and are met with more police brutality, many media outlets churn out anti-racist reading lists to meet the demand created by the tragically-newfound interest in white supremacy and anti-Blackness. Due, perhaps, to corporate America’s choke-hold on the publishing industry, it seems the same books are being cited over and over again. This has some people questioning both the efficacy and the intent of these lists. Are they helpful, or are they just a way for the media to virtue signal while selling their products?

One of the fundamental problems is that, while white supremacy and anti-Blackness are on the same continuum, these lists mention books that seem to focus entirely on Black people while failing to mention any books that examine white supremacy, whiteness or how this fatal dynamic in America came to be. The books listed below offer alternatives that do.

The History of White People

Nell Irvine Painter

Historian Nell Irvin Painter covers one of the most overlooked, and under-studied, topics in history by guiding readers through more than 2,000 years of Western civilization, showing both the invention of race and also the constant valorization of “whiteness” for economic, scientific and political ends. The History of White People re-frames the focus by pointing out that “race” is a concept and assignation, more than a biological or genetic fact. 

How the Irish Became White

Noel Ignatiev

Fleeing an Ireland that was under foreign occupation and a caste system that deemed them untouchable, the Irish came to America in the 18th century to find a very different form of social hierarchy—one that was based on the color of a person’s skin. Noel Ignatiev’s 1995 book tells the story of how the new Irish immigrants achieved acceptance among an initially hostile population by proving that they could be brutal in their oppression of African Americans in order to gain white acceptance.

Black Skin, White Masks

Frantz Fanon

Along with Fanon’s Wretched of the Earth, Black Skin, White Masks is essential reading for both anti-racists and Black people seeking to understand the colonial ties of both anti-Blackness and white supremacy. The book is an often heart-wrenching examination of how the Black psyche is affected in a white-supremacist world. Since its publication in 1952, the book remains a vital source today from one of the most important theorists of revolutionary struggle, colonialism and racial difference in history.

Stamped from the Beginning

Ibram X. Kendi 

In this deeply researched book, Kendi examines America’s consistent arch of anti-Black racist ideas and their staggering power over American history. Using the narratives of Puritan minister Cotton Mather, Thomas Jefferson, abolitionist William Lloyd Garrison, W.E.B. Du Bois and legendary activist Angela Davis, he shows how racist ideas were created to justify and rationalize deeply entrenched racist policies and to maintain racial inequities. This book can serve as a tool for exposing racist thinking and attitudes often hidden from view. 

Counternarratives

John Keene

Ranging from the 17th century to the present, and crossing multiple continents,  Counternarratives draws upon memoirs, newspaper accounts, detective stories and interrogation transcripts to create new and strange perspectives on our past and present. 

Keene employs a disarming and silent cunning in this book. His re-inventions are more than mere word-play, they are direct, active resistance—through stories of resistance—to the quiet servitude that characterizes existing roles for African American, Asian Americans, Latinos and queer folk in contemporary fiction. The depth and scope of Counternarratives leaves so much more room for saying the unsaid: The violence, the wars within and without, seeing the unseen and discovering the pathways through the passages of these fugitives’ journeys. 

The Fire Next Time

James Baldwin

Both a stirring evocation of Baldwin’s early life in Harlem and a furious examination of the consequences of white supremacist terror, this book consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that call for all Americans to resist the terrible machinations of racism. Described by The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle…all presented in searing, brilliant prose,” The Fire Next Time stands as a literary classic.

Why No Confederate Flags in Mexico

Ishmael Reed


During the Civil War, the Confederacy attempted to colonize Mexico and was thwarted by a multi-racial coalition composed of Mexican, Black and Indigenous peoples, mostly children and teens, who successfully resisted them. This is why there are no Confederate statues in Mexico. From this point of buried history, uncovered in the opening essay, “To Exterminate or Extirpate,” Ishmael Reed builds on the theme of resisting white supremacy through the power of multi-racial coalitions with pugilistic essays that pull no punches. Never one to back down from a fight, the author of The Complete Muhammad Ali takes on politics, art and culture with a storied wit and a steady hand. From addressing the vilification of Black men in essays such as “How I Became a Black Bogeyman and Survived to Tell the Tale,” to directly taking on Trump and the resurgence of white supremacist nationalism with essays such as “Trump’s Anti-Black Animus and How the Media Armed Hate,” Reed also reminds us of the beauty of the art of resistance with musings on jazz, Amiri Baraka and Oliver Clark. His essay “White Nationalism’s Last Stand” is so hopeful that it alone is worth the price of admission.

The Many-Headed Hydra

Peter Linebaugh and Marcus Rediker
Both whiteness and anti-Blackness were constructions borne from plunder. When an expansion of trade, colonization and chattel slavery began in the early 17th century, it launched the first global economy; a vast, diverse and landless workforce was created to aid in that expansion. These people crossed national, ethnic and racial boundaries, as they circulated around the Atlantic world on trade ships and slave ships, from England to Virginia, from Africa to Barbados and from the Americas back to Europe.

Pulling an exemplary range of research from archives in the Americas and Europe, the authors show how these ordinary people resisted through rebellions on both sides of the North Atlantic. The rulers of the day called the multi-ethnic rebels a “hydra” and brutally suppressed their uprisings; yet some of their ideas fueled the age of revolution, and they still can today.

Eventful Father’s Day Weekend in North Bay Includes 24-Hour Protest & Virtual Variety Show

Slowly, but surely, the North Bay is re-opening. After more than two months in self-isolation due to Covid-19, residents in Sonoma and Napa County are starting to return to shops, restaurants and other social venues.

In addition to relaxing shelter-in-place orders, the Black Lives Matter movement and protests against police brutality continue to take to the streets in spots like downtown Santa Rosa, meaning that Father’s Day weekend 2020 is shaping up to be a busy few days in the North Bay.

Of all the events taking place between June 20 and 21, the most ambitious endeavor is the planned 24-Hour Protest in Santa Rosa. Organized by a group of young activists, the planned protest aims to make a stand against police brutality and to champion peace and justice. On the event’s Facebook page, organizers write, “We want to shed light on police brutality in our community and are trying to create a platform where all people of color can come and express the change they feel is important. We want to provide a safe environment for everyone to come together and HEAR each other on the issues they feel are important to make a change. “

With that goal, the protest will begin on Saturday, June 20, at 1pm in Doyle Park near downtown Santa Rosa where organizers will be handing out calling cards with demands for local, county and state government representatives for protesters to call. The event then marches to Juilliard Park, where group activities, educational talk and an open mic stage will cover topics such as knowing your rights and how to effect change the community.

A silent candle-lit march in remembrance of lives lost to police violence then moves the protest to the Old Courthouse Square, where protesters will camp out overnight until a Father’s Day brunch on Sunday morning caps off the event. The protest organizers ask participants to adhere to Covid-19 precautions such as wearing a face covering and keeping socially distant when possible.

“The purpose of this protest is to give a voice to the people who need it most. This is absolutely a protest 10000% in support of the Black Lives Matter movement and want to give the opportunity to them and others alike to express the change they feel needs to happen within our community,” write protest organizers on Facebook.

In the art world, many North Bay galleries and arts groups are re-opening to the public after months of closures. One such group is the Arts Guild of Sonoma, which announced the reopening of its gallery this week, just in time to participate in the National Arts Drive on June 20.

The national grassroots fundraiser is a multi-city community experience taking place across the US. During the “Drive,” artists will showcase their work in ways that can be seen in-person from a safe distance.

“While online showcases of creativity are abundant, nothing compares to an arts viewing experience in person,” says Heidi Luerra, founder and CEO of organizing group RAW Artists. “While arts events have gone dark, this is our creative response to ensure artists are still seen, heard and supported.”

The National Arts Drive was originally set to take place in Atlanta, Austin, Chicago, Cleveland, Denver, Los Angeles, New York (Brooklyn), San Francisco, Seattle and Washington D.C., but has quickly spread to multiple cities, and the Arts Guild of Sonoma is participating from 1pm to 4pm on Saturday. “We are taking every precaution to make sure all remain safe and will adjust as need be with changing circumstances,” writes the arts guild in a statement.

Not every venue is ready to re-open, namely small music and events venues like West Sonoma County’s beloved Occidental Center for the Arts. Last month, the center first took to the web to combat social distancing and share an abundance of music and fun with the Arts In Our Hearts Virtual Variety Show, featuring a cavalcade of performers. The free streaming show was such a hit that the arts center is doing it again on June 20 at 8pm, with another stellar line-up of popular Bay Area and North Bay artists including T Sisters, Jon Gonzales, Dirty Cello, Mimi Pirard, Nina Gerber, Emily Lois and a dozen others performing. The virtual variety show will stream on YouTube, and the center has also created some fun playlists featuring many great performers who’ve been at OCA.

Other music events happening online for those still social distancing include Petaluma’s Drive-In Concert at East Washington Place shopping center. The concert on June 20 is already sold-out for in-person (or, in-car) attendees, though the event will live stream on Facebook, with headliners Majestic: San Francisco’s Ultimate Tribute to Journey.

Also on June 20, Clif Family Winery in Napa Valley hosts a virtual Summer Solstice Concert with music from up and coming artists introduced by CLIF GreenNotes, a community of musicians and nonprofits committed to environmental justice. The virtual event will also be sharing cooking tips from Chef John, and special guest appearances from Clif Family winemaker Laura Barrett and winery owners Gary Erickson and Kit Crawford. To RSVP and receive an exclusive link to the virtual show, purchase a Summer Solstice Kit on Clif Family Winery’s website.

PG&E pleads guilty to 84 counts of manslaughter in Camp Fire case

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Pacific Gas and Electric Company (PG&E) on Tuesday pleaded guilty to 84 counts of involuntary manslaughter and one count of unlawfully starting a fire.

The rare acknowledgment of corporate culpability brought to an end two-years of litigation that stemmed from the Nov. 8, 2018 blaze, which burned more than 150,000 acres, razed the town of Paradise, destroyed more than 18,000 structures and killed 85 people.

Standing in Butte County Superior Court, PG&E CEO and President Bill Johnson said he was there to “accept responsibility for the fire here that took so many lives and changed these communities forever.”

“I have heard the pain and the anguish of victims as they’ve described the loss they continue to endure, and the wounds that can’t be healed,” he said. “No words from me could ever reduce the magnitude of such devastation or do anything to repair the damage. But I hope that the actions we are taking here today will help bring some measure of peace.”

Nobody from PG&E will face criminal charges or prison time in the case, as no individuals have been charged. But the company agreed to pay a $3.5 million fine, and a half-million dollars to cover the cost of the investigation.

Court filings refer to PG&E’s “longstanding corporate culture of favoring profits over public safety” and its “ongoing failure to comply with its safety obligations.”The company has also been accused of failure to remove combustible vegetation from power lines, transformers and other equipment, and failing to update its aging infrastructure.

The Camp Fire was not the first time PG&E has found itself in legal hot water for its role in disasters. It was convicted in 2016 for the gas pipeline explosion in San Bruno that killed eight people.

The company has filed for bankruptcy and is in the process of paying $25.5 billion in settlements to cover damages from the Camp Fire and other fires. The details of that case—which includes $13.5 billion for fire victims—will be completed by June 30.

“I wish there were some way to take back what happened or take away the pain of those who’ve suffered,” Johnson said. “But I know there’s not. What I can say is this: First, PG&E will never forget the Camp Fire and all that it took from this region. We remain deeply, deeply sorry for the terrible devastation we have caused.

”Johnson said that PG&E has worked to help the Paradise region recover and rebuild, and said the company is “ working hard” to compensate the victims. He also discussed the lessons he says PG&E learned from the Camp Fire, and outlined new measures such as improved inspection and operational protocols. The company also is “hardening” its energy system, Johnson said, and is bolstering its technology to better predict and detect extreme weather conditions.

“We know we cannot replace all that the fire destroyed,” Johnson said. “We do hope that by pleading guilty and accepting accountability, by compensating victims and supporting rebuilding efforts, and by making significant, lasting changes in the way we operate, we can honor those who were lost and help this community move forward.”

Conscious Beat: Kayatta drops debut album on Juneteenth

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It’s been a roller coaster of a year for Sonoma County educator and hip-hop artist Kayatta.

“The last few months have been life-changing,” she says. “Life has been different than what I’m accustomed to.”

Originally from Oakland, Kayatta has lived in Sonoma County for several years. Last summer, Bohemian and Pacific Sun readers awarded Kayatta the NorBay for “Best Hip-Hop Artist” in the North Bay, and soon after Creative Sonoma awarded her an arts grant to help produce her full-length, debut album.

The album was originally scheduled to come out in March of 2020, but Kayatta faced early setbacks when she lost material in last year’s Guerneville flooding, and again more recently with the statewide, Covid-19 shelter-in-place that took effect in March.

Undaunted, Kayatta spent the last two months finishing the record remotely with her producing partner Shinobi-1, and she is ready to release her debut, Beautiful and Messy, with a live online release-party on June 19; a date which also marks Juneteenth, the oldest nationally-celebrated remembrance of the ending of slavery in the United States.

“I don’t know if the universe was aligning everything up, but with the Black Lives Matter movement happening, I get to drop my album on this day,” she says.

While Kayatta wrote the majority of the album’s 11 tracks well before the pandemic and the recent protests against police brutality, her socially-conscious lyrics are just as relevant today as they were when she wrote them.

“The name of the album changed, the artwork for the album changed, the content has pretty much stayed the same,” she says. “The songs were written a long time ago, so to have these songs be aligned with where we are today, it’s like, OK, maybe we were supposed to drop the album now.”

Musically, the album recalls the beats and melodies groups such as A Tribe Called Quest and female rap artists such as Ms. Lauryn Hill pioneered in the ’90s, and Kayatta also includes some spoken word tracks, adding a poetic aesthetic to the album.

The album’s title, Beautiful and Messy, is inspired by Kayatta’s recent life experiences and a panel discussion she heard on the topic of God’s plans.

“I didn’t even know if I wanted to be there,” she says, of the discussion. “But this lady on the panel started talking about our relationships in life, and she said, ‘God never intended for your journey to be smooth, it’s going to have some complexities to it.’ She said, ‘It’s going to be beautiful and it’s going to be messy.’ And that sounded like my story.”

“My friends will tell you I’ve been doing music a long time and the whole journey to get here has had so many roadblocks,” Kayatta says. “But when you finally get to the core of everything, that’s the beautiful part.”

Beautiful and Messy not only describes Kayatta’s journey, it also perfectly encapsulates many of the feelings surrounding the recent nation-wide protests and renewed Black Lives Matter movement.

“With the Black Lives Matter movement, racism is on full display and it’s ugly,” Kayatta says. “But the beauty is our youth who are up and on the front lines. People are actually listening and they want to educate themselves to really impact change. This is the first time I’ve ever felt hopeful about it, this is the first time I’ve felt that maybe something will change.”

Beautiful and Messy gets its official Internet release on June 19, when Kayatta hosts a live event on her Facebook and Instagram pages. In addition to playing the album, she will give backstories to the songs, discuss June 19’s historical significance and talk about how today’s current events reflect the ongoing progress towards equality.

“This is the first time I’ve had my white friends hit me up and really want to have conversations or say, ‘How are you doing or what can I do?” she says. “The answer is, always educate yourself, but also be willing to have uncomfortable conversations. What happens a lot of times is we just dip out when conversations get heavy, and I do it too as a Black woman, but I think if we find a tolerance to remain present in those conversations, there’s so much value in that.”

“Being a Black person in America, nobody will understand that unless they’re Black; period,” she says. “If you listen to music and you listen to the music that we’ve created over the years, we’ve been saying the same story over and over again, just in different ways. Music is a great vehicle to tell our stories.”

Kayatta hosts the album-release for ‘Beautiful and Messy’ online Friday, June 19, at 8pm on her Facebook and Instagram.

New Exhibit Marks a First for Longtime North Bay Artist

Veteran artist and educator Anna B Francis has lived in Point Reyes Station for more than a decade, though there are still some neighbors who didn’t know she was an acclaimed watercolor and oil painter until they saw her work hanging at the gallery at Toby’s Feed Barn earlier this month.

“I’ve been in three shows since I came out here (in 2008), but this is the first time I’ve exhibited this whole body of work in California,” Francis says. “Since I really haven’t exhibited out here much, there are people I’ve known over the years who didn’t even know I did this sort of thing.”

On display for in-person viewing, “The Art of Anna B Francis” is the artist’s first-ever retrospective exhibit and features more than 60 works spanning 40 years of her career in art and education. Portraits of flowers, people and more hang on the wall at Toby’s during the essential store’s open hours, and the show will remain up until June 30.

Francis is a lifelong artist, who discovered the talent and the passion as early as kindergarten. An East Coast native, she received her Master of Fine Arts Degree from Syracuse University and her Bachelors Degree from University of Kentucky. She also attended the Art Students League, the School of Visual Arts and Parsons School of Design while living in New York City between 1979 and 1982.

In 1983, Francis entered the educational world after publishing her children’s picture book, Pleasant Dreams.

“The idea of teaching came about when the book was in the process of coming out,” she says. “I wanted to teach children’s picture book illustration. I was also interested in teaching watercolor because I am self-taught.”

She first taught at the Silvermine Arts Center in Connecticut, where she led classes in drawing and children’s picture book illustration. Over a 24-year teaching career, Francis instructed over 2,500 students; teaching drawing and watercolor at Longwood Gardens for 15 years, teaching oil painting as an adjunct professor at Villanova University, and offering classes and workshops at several other institutions.

In her own artwork, Francis is a master of color. She draws her portraits of people with realism in mind, while her floral portraits take much more artistic license.

“In the people-portraits I focus on accuracy and recognizable likeness, my work on those portraits are close to life-size,” she says.

All of her people-portraits were drawn from live models, except for two pieces in the show. One is a dog portrait, and the other is a recreation of a baseball card of then-Mets player Darryl Strawberry.

“I was commissioned to do that by one of my teachers in my Masters Degree program, Murray Tinkelman,” Francis says. “Murray was putting together a show called ‘The Artist and the Baseball Card.’ He gave me a couple of baseball cards of Darryl Strawberry. I did some drawings, and then I saw him on TV and said, ‘these cards don’t look anything like him.’”

Living outside of New York City at the time, Francis drove into the city to rent VHS tape of “Let’s Go Mets,” the team’s official theme song, and paused the tape on Strawberry to get a more accurate look, despite the static lines on the VHS freeze-frame.

That painting traveled around the country for many years on exhibition, and in the spirit of baseball cards, Francis traded the piece to Tinkelman, a famous sci-fi and fantasy illustrator, in exchange for one of his drawings. The Baseball card piece in the show at Toby’s is a recreation of that original artwork.

For her floral art, Francis is big on color. She’s actually a color expert, having developed her own color wheel while teaching at Longwood Gardens in Pennsylvania, and she has taught color theory. Like her people portraits, many of the floral portraits are also very large pieces, with the largest being over 6 feet tall and 4 feet wide.

“I actually wrote an article for The Artist’s Magazine on how to paint large watercolors,” she says. “They titled it ‘How to Paint Large Watercolors with Ease,’ which isn’t really true—but I wanted people to know how to do it.”

Francis’ preferred floral subject is the Amaryllis, a flower that boasts large bulbs on top of leafless stems. Francis paints her flowers with saturated watercolors, giving them a lush spectrum of color.

“I liked Amaryllis because they were easy to grow in the winter, and at the time I was living in New York, and because they would change like a live model,” she says. “They just seem to have a lot of personality to me.”

Francis has a series of Amaryllis portraits she calls “Conversations,” in which she paints the flowers as if they are in various stages of interaction with each other or the viewer. Many of those pieces are part of the retrospective exhibit.

The show also features other artifacts, such as reproductions of her children’s book.

The retrospective was meant to be up in April, though Marin County’s shelter-in-place orders in March delayed the exhibit until now.

“People are very serious about sheltering-in-place, and of course that’s good,” she says. “But, Point Reyes is a very artistic and creative community, so the show has been a huge hit here locally. People have gone two or three times because they can go and see some art, and it’s been a wonderful personal experience for me to see people happy about it; that was the real major purpose of it.”

“The Art of Anna B Francis” is on display now through June 30 at Toby’s Feed Barn, 11250 Hwy One, Point Reyes Station. Current hours are Mon–Sat; 9am–5pm, closed Sundays. 415.663.1223.

No Country Summer for North Bay Fans

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When the Covid-19 outbreak hit California in March, music festivals were among the first planned gatherings to change their summer plans in the face of statewide shelter-in-place orders.

At first, North Bay music festivals moved their events from the summer to the upcoming fall. One such festival, Country Summer, a three-day event held at the Sonoma County Fairgrounds in Santa Rosa each June, was originally rescheduled from this month to October 23–25.

Now, Country Summer has confirmed that the festival is postponed until next summer, June 25­–27, 2021.

“Our team worked diligently and secured a top-notch lineup, including most of the same country music entertainers, for the October dates,” said Alan Jacoby, executive producer of Impact Entertainment, in a statement. “However, fan’s health and safety are our top priorities.”

A major reason for the festival’s yearlong postponement is that, in announcing the state’s re-opening, California Governor Gavin Newsom’s four-stage plan will not allow for large festival gatherings for many more months, likely not until a vaccine is available or most people are immune to the virus. That timeline is still unclear, as reported cases of Covid-19 continue to rise even as restaurants and other businesses open their doors.

“We were hopeful the coronavirus situation would improve significantly, and rules would be relaxed enough for us to stage a spectacular event in October,” Jacoby said. “Unfortunately, circumstances beyond our control are prohibiting mass gatherings this year. Our festivals are not social-distancing-oriented events. They’re thousands and thousands of like-minded country music fans coming together for a big celebration. While disappointing for this year, we’re committed to producing a phenomenal fest in 2021.”

Country Summer is honoring all 2020 three-day passes, single-day tickets, Country Club memberships and even parking passes for the 2021 festival. Refund options will also be available.

An updated lineup of performers will be announced on the Country Summer website in the coming months. Originally, the festival’s 2020 headliners included country music stars Eric Church, Kelsea Ballerini and Chris Young.

While those performers will not be able to perform in the North Bay this year, country music fans can still hear their music this weekend during Froggy 92.9 FM’s Country Summer Radio Fest, broadcasting from 10am to 3pm on Saturday, June 20, and noon to 5pm on Sunday, June 21.

In addition to playing country hits, the Sonoma County–based radio station is also bringing in radio personalities to conduct exclusive artist interviews and to look back at Country Summer’s last six years of festivals, with video highlights on the station’s website and on its social media.

As of now, several other North Bay music festivals are still holding out for this fall. BottleRock Napa Valley, the massive 3-day festival featuring five stages of music, wine, food and brews, is still scheduled to take place in Napa October 2–4, 2020. BottleRock’s music headliners include the Red Hot Chili Peppers, Dave Matthews Band, Stevie Nicks, Miley Cyrus and Khalid, with dozens of other bands, chefs and celebrities scheduled to appear.

The Huichica Music Festival, which boasts 2 days of live music set in Sonoma Valley’s Gundlach Bundschu Winery, is scheduled for October 16–17. Huichica’s scheduled lineup features indie-rock royalty Yo La Tengo performing two full sets, as well as many other bands and artists including Mac Demarco, Jonathan Richman, Vetiver and Once & Future Band.

Huichica Festival co-founder and winery co-owner Jeff Bundschu offered a message on the Huichica website, writing: “We’ve always strayed away from calling Huichica a ‘music festival’ because we designed it to be spread out across bucolic, open spaces. Since its inception, we’ve limited our guest count and ticket sales to ensure that Huichica remains a very intimate experience—so we don’t anticipate our guest’s experience to change that much. Of course, we’ll be taking all appropriate measures to ensure that our staff and volunteers are safe and adhere to guidelines from the state and county.”

Virtual Possibilities: San Francisco Black Film Festival Adapts to Covid-19

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For more than 20 years, the San Francisco Black Film Festival has been “healing the world one film at a time” with African-American cinema that reinforces positive images and dispels negative stereotypes while showcasing a diverse collection of films from both emerging and established filmmakers.

In 2020, amid the worldwide Covid-19 pandemic, the multicultural festival adopts the theme “Virtually, It’s Possible” to screen its online film program from June 18 through August 2.

“Given our changed world, the San Francisco Black Film Festival has adjusted based on our new reality,” says Kali O’Ray, festival co-director and son of festival-founder Ave Montague.

“The Coronavirus, although regrettable, has resulted in some positive things as we are cloistered in our homes, young and old,” O’Ray says. “Devouring media together creates family discussions and growth. Workers are breaking out of the ‘brick and mortar’ of going back to work and that is a path for entertainment as well, especially among young people, as I see it.”

The San Francisco Black Film Festival always takes place in conjunction with Juneteenth, the oldest nationally-celebrated commemoration of the ending of slavery in the United States, which occurs annually on June 19.

This year is no different, with SFBFF’s virtual version opening on June 18. This year’s staggered-online film-release schedule features a variety of independent films ranging from drama to comedy that will each be available to stream over a two-week period. The Festival will also revisit some of the most popular films from its 22-year history.

“There is that old saying that something is virtually impossible; yet the San Francisco Black Film Festival is ‘Virtually, Possible,’” said Katera Crossley, who co-directs the festival with her husband O’Ray.

“The San Francisco Black Film Festival is flipping the script during this grave time in America and the world,” Crossley says. “The show must go on despite the worldwide pandemic. We are celebrating 22 years of bringing films from the African Diaspora from around the world to San Francisco to create positive dialogue between people about universal human experiences and as a result giving people a better understanding of each other.”

Films scheduled to screen virtually in this year’s festival include hip-hop musical It’s a Wonderful Plight, which manages to attack the serious issues of racism and systemic oppression in a light-hearted way; mystery-thriller The Birth of Deceit, the feature-film debut from rising director Yaw Agyapong; writer-director Derrick Perry’s dramatic Pink Opaque, which tackles themes of love, family, hardships and life in Los Angeles; the arresting 2015 dark comedy Driving While Black, based on the real-life experiences of writer and lead actor Dominique Purdy; the 2013 biographical drama Nzinga, Queen of Angola, about a 17th-century warrior woman who fights against Portuguese colonizers for the independence of Angola in Central Africa; and many other films both new and old.

When Ave Montague­—an arts publicist and manager and a fashion executive—founded the nonprofit San Francisco Black Film Festival in 1998, she wanted to create a platform for Black filmmakers, screenwriters and actors to present their art. Now run by O’Ray and Crossley, the festival continues to remain an inclusive and multicultural expression of the African-Diaspora experience. As a competitive film festival, SFBFF has screened more than 10,000 films from around the world and continues to seek out emerging filmmakers, screenwriters and actors and celebrate established artists and contributors to the cinematic legacy of African Americans; expanding the notions of Black filmmaking on a global scale.

San Francisco Black Film Festival sponsors include, to date, San Francisco Arts Commission, California Arts Commission, Bill Graham Productions, Mayor London Breed, Key to the City of San Francisco, KPOO, KPFA, San Francisco BayView Newspaper, The Boom Boom Room, New Community Leadership Foundation, Inc., LaHitz Media, Film Bread and Wright Enterprises.

For more information about San Francisco Black Film Festival XXII, visit sfbff.org.

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Virtual Possibilities: San Francisco Black Film Festival Adapts to Covid-19

Online film program runs June 18 to August 2.
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