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Live Review: Kreayshawn at Slim’s, San Francisco

Posted by Gabe Meline on Aug 26, 2011 | Comments (0)


There’s a chemistry about live music that’s referenced pretty constantly—this thing of the performer feeding off the fans, and the fans feeding off the performer, until some mythic plane is reached where the energy created is greater than the sum of its parts. This phenomenon has no name, but go to a few shows and you’ll eventually see and feel it in action, particularly with up-and-coming artists suddenly handed a tidal wave of attention. Some up-and-comer, say, like Kreayshawn.

At her show in San Francisco last night, the audience showered as much energy as possible on the 21-year-old Oakland-bred rapper, whose “Gucci Gucci” video is at 13 million views and counting. Yet onstage at Slim’s, Kreayshawn seemed either incapable or uninterested in giving it back, either consciously relying on the mere presence of her instant fame to provide excitement, or nervous about a hometown crowd—or, you know, she could’ve just been kinda stoned.

Granted, this is sure to improve with more experience. The set was trashy, superficial and fun, as expected. And despite Kreayshawn’s detractors who say she can’t rap, she’s a natural on the mic in the true test of a live setting. Either on older mixtape rambles like “Wavey” or new track “Rich Whores,” Kreayshawn stayed on point, holding up under the weight of the bass and not falling back on prerecorded vocals like some of the show’s openers.

Still, something was amiss. Even as the sold-out crowd sang along, the unsettlingly thin Kreayshawn paced the stage with an uncertain air, as if she hasn’t decided what kind of star she wants to be just yet; either the kind that strives to connect with fans, or the kind that tries to be so aloof that people are drawn to her more. The result was that the club’s energy wasn’t reflected by Kreayshawn on stage, but instead dissipated into the rafters, its well from below gradually drying out.

The show improved markedly with the arrival of V-Nasty, who seemed genuinely thrilled to have her moment in the limelight, no matter how fleeting or controversial that moment may be. With the three on stage together, an element of the classic boy-band formula came to mind: a group of separate personalities, branded as one. V-Nasty, the stonewashed-jean-wearing white trash foulmouth in love with Waka Flocka; Lil’ Debbie, the awkward, untalented one along for the ride; and Kreayshawn, the skinny, fashion-minded Powerpuff girl of the bunch.

After “Bumpin’ Bumpin’” ran its course, the intro to “Gucci Gucci” dropped. The place went nuts, and though the crowd could have sung the whole song for her, Kreayshawn stayed on the mic for every line. Finally, a sort of pinnacle had been reached, and it was just as well—it was the last song of the set. Afterward, the White Girl Mob danced around to Cherrelle’s “Saturday Love,” a fight between two girls broke out in front of the stage, and Kreayshawn waved and went down the backstage stairs, on her way to host the red carpet at the VMAs this Sunday, talking fashion with the stars. Shit, it could even work out better than rapping. Who knows?


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