Many of you are familiar with the Hubbub Club Marching Band, the renegade troupe that marches through the streets playing everything from Herbie Hancock to traditional Hungarian folk melodies. They’ve been a splash at the Handcar Regatta, and are a perfect example of why Santa Rosa’s new street performer ordinance is a good idea. They may not have the approval of David Byrne like the Extra Action Marching Band, or the novelty clout of the March Fourth Marching Band, but they’re ours and we love them.
I should let you know that the Hubbub Club gang are trying to raise funds to go to this thing in Austin called Honk TX, which is a Lone Star replica of similar events in Seattle and Boston—basically, a soiree of community street bands from around the country raising hijinks in the street. Their benefit is scheduled for Feb. 13 at Aubergine in Sebastopol, with the Easy Leaves and DJ Broken Record warming up for the brass, drums and xylophones of the Hubbub Club.
But what’s really fascinated me lately is that Jesse Olsen, founder of the Hubbub Club Marching Band, rather quietly released this record called Flightpatterns that was recorded in a giant two-million gallon cistern in Washington state. I bought it off him a month or so ago and each time I listen to it, I like it more. It’s essentially a high-concept sound experiment—there are no “songs,” just sparse melodies played on invented instruments, found objects and what sounds like a trombone. Why it works so well is that the Dan Harpole Cistern (read about it here) has an incredible, natural 45-second reverb. (To put that in perspective, Grace Cathedral has a 7-second reverb.) You can listen to a segment of the recording in the video below.
So what gets me is this: Olsen starts a band that marches wildly out in the streets, causing a ruckus and grabbing people’s attention, and then goes into a quiet space and records an album of meditative sonic reverence. If music is a language, Olsen is speaking it well.