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Supreme Clientele

Posted by on Oct 13, 2009 | Comments (0)

I don’t have too much to add to this piece by Jody Rosen, for Slate, about NPR’s taste in black music, but I recommend reading it. Rosen looks at their very white “Best Music of 2009 (So Far)” list and advances a theory that NPR’s producers look for four basic factors in deciding to spotlight a black musician—they’ve gotta be either Dead, Old, Retro or Foreign. He calls it the “DORF Matrix.”

Cute, yes, and true. NPR’s best-of list, voted by listeners, includes only two black artists out of 30 on the “best albums” list (Mos Def and, uh, Danger Mouse) and none at all on the “best songs” list. NPR isn’t the only media outlet to shaft current hip-hop and R&B for crusty soul revivalists with a by-the-books story of redemption, and though every media outlet is entitled to their own opinion, and death, age, history and foreign countries all make good, easy-lazy stories, it would seem that NPR should have an interest in battling their own caricature. Right?

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